Skycube

Skycube

2015
Steel, glass, far infrared light film, limestone bench
96 x 96 x 96 in. (244 x 244 x 244 cm)
19 x 19 x 48 in. (48 x 48 x 122 cm)
Elmhurst Art Museum

Bridging architecture, sculpture, and painting Skycube brings the full vertical dimension of the sky down to the horizontal space in which we live. Seen at eye level through a square aperture cut into 6,000 pounds of steel, the moving image of the sky is not a digital projection or display, it is the actual three-dimensional sky brought to the pictorial plane.

During the day, atmospheric changes move across Skycube's exterior like a living painting continually recreating itself. Walking up to the work reveals an interior 8 x 8 foot wall appearing as an immersive three-dimensional mural of the sky. Looking down into the cube reveals a framed portrait of the self in the sky.

In the evening, Skycube moves through endless hues of blue until a deep black square emerges, slowly revealing a composition of moving stars and planets.

Skycube sits in conversation with Mies van der Rohe’s McCormick House, sharing in it's height and composition of glass, steel and white Tnemec paint.

"Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space."

John Ruskin

GALLERY AND PRESS:

Skycube Tour with Time-Lapse Video

Early Morning Video

Clouds and Wind Video

Photo Tour

Fabrication Pics and Video

TV, Radio, Print


ESSAYS:

The Condescension of Light
Daniel S. Robinson, Historian of Philosophy

Regaining Our Balance
E. Paul Holmes, Psychologist

Breaking and Swapping Symmetry
James P. Buban, Physicist

On View Now

On View Now

David Wallace Haskins: Polarity
Elmhurst Art Museum
September 9, 2018 - January 13, 2019

Website

Guide

“The exhibition by Chicago-based multi-media artist David Wallace Haskins will premiere multiple new projects including an interactive video work and large-scale light installation within the Museum galleries. Haskins will also premiere a site-specific installation in the Museum’s McCormick House designed by Mies van der Rohe, which is the second in a series of transformative architectural interventions.

Two off-site extensions of this exhibition will presented in September: the premiere of Time Mirror II at 150 Media Stream (150 North Riverside Plaza, Chicago) in which Haskins continues his work with perception and time by transforming an immersive media wall into a 150-foot digital mirror; and Haskins’ virtual reality piece Time Spheres presented at EXPO Chicago, the international exposition of contemporary & modern art, at Navy Pier (600 E. Grand Avenue, Chicago) September 27-30, 2018.”


RELATED PROGRAMS

Saturday, October 20, 2018 - 1:30pm

Artist Talk

David Wallace Haskins will give an artist talk about his solo exhibition, as well as architectural intervention, Ascension / Descension.

Free with museum admission or current membership


Skycube II

Skycube II

2017
Aluminum, glass
80 x 80 x 80 in. (203 x 203 x 203 cm)
Palm Springs, California
Private collection

More Pictures

Ascension / Descension

Ascension / Descension

2018

Glass, aluminum, wood, LEDs, polycarbonate,
and existing architecture
Dimension variable

Part of David Wallace Haskins: POLARITY
Elmhurst Art Museum
September 8, 2018 - January 13, 2019

Ascension / Descension is an architectural intervention of Mies van der Rohe’s McCormick house highlighting Mies’ interplay with the earth and sky, architecture and nature, the ranch house and the skyscraper.

The work employs a single line of light and 2,000 square feet of glass mirror creating an infinite Miesian grid that ascends and descends vertically in each direction. Visitors are invited to walk out onto the glass feeling themselves suspended between the endlessly repeating layers of sky and earth, putting Mies' one-story glass house in conversation with the skyscrapers that made him a modern icon.

Architecture of Light

Architecture of Light

2018

Projector, media server, computer, haze
Dimensions variable

Part of the Architecture of Light
at David Wallace Haskins: POLARITY
Elmhurst Art Museum
September 8, 2018 - January 13, 2019

Architecture of Light is a series of
experiential works that invite visitors
to experience light as a physical,
architectural, and sculptural presence.

Void Room

Void Room

2016
Wood, drywall, fabric, light
Total dimensions variable
Installation view: David Wallace Haskins: PRESENCE
at Elmhurst Art Museum
, March 5 - May 8, 2016

VIDEO

Void Room is an empty gallery holding a black monochrome that towers on a wall opposite the entrance as high as the gallery is deep, compressing the space and dwarfing the viewer. Its surface is so dark it cannot be seen, inviting the body to perceive what the eyes cannot. This movement into the unknown contains perceptual and phenomenological discoveries that affect visitors' interior and exterior perceptions. What initially appears as a two-dimensional visual work, slowly becomes a deeply spatial, aural, and tactile one. Participants encounter a journey from exteriority to interiority, embodiment to disembodiment and back again, offering experiential knowledge of previously held abstract concepts and ideas.

Untitled

Untitled

2017
Stainless steel, aluminum
54 x 54 x 11 in. (137 x 137 x 23 cm)
Private Collection

VIDEO

A site-responsive wall sculpture that allows viewers to see themselves straight-on from nearly every position in the room, creating an inescapable gaze that follows the viewer's movement through space. It also reflects a non-reversed true image of the self and the surrounding environment, allowing viewers to see themselves in third-person.

The work was cast from the 5-point corner of Mies van der Rohe's last American building, which was seen reflected from multiple angles in the sculpture across the Chicago River on the 26th floor of the Jewelers' Building in Chicago where it was on view as part of The City Beautiful at Gaylord & Dorothy Donnelley Foundation from January through June 2017.

Uncertain Horizon

Uncertain Horizon

2018

Projector, media server, computer, haze
Dimensions variable

Part of the Architecture of Light
at David Wallace Haskins: POLARITY
Elmhurst Art Museum
September 8, 2018 - January 13, 2019

Architecture of Light is a series of
experiential works that invite visitors
to experience light as a physical,
architectural, and sculptural presence.

Where we meet

Where we meet

2018
HD projection
Duration: 27 min

Part of David Wallace Haskins: POLARITY
Elmhurst Art Museum
September 8, 2018 - January 13, 2019

This immersive film is a silent mediation on moving into and out of one another’s lives, acknowledging the presence and absence, birth and death of strangers, friends and loved ones—meeting in the tension between the known and unknown.

Viewers experience various individuals walking towards them starting from a small unknown point in the distance. Upon arriving full-size on the museum wall, the individuals stay for a time and then turn and walk away until they disappear into the distance, followed by a new person walking towards the viewer as the cycle repeats.

By removing the sky and earth from the frame, the work also highlights each individual’s gait, a unique signifier of human identity not unlike fingerprints or eyes.

Mirror Monolith

Mirror Monolith

2016
Tempered glass, wood, and controlled lighting
96 x 18 x .5 in. (243.84 x 45.72 x 1.27 cm)
Installation view: David Wallace Haskins: PRESENCE
at Elmhurst Art Museum
, March 5 - May 8, 201 

VIDEO

Re-interpretting the power and purpose of mirrors, Mirror Monolith embraces the tension between looking at and looking through. It invites visitors to move beyond themselves and into the space of another, highlighting the dialogical nature in which we come to understand our shared existence, offering experiential knowledge of what it's like to look through someone else's eyes, or be in someone else's shoes.

Time Spheres

Time Spheres

2018
Virtual reality headset, spherical 3D camera, custom computer and software

Premiered at EXPO CHICAGO/2018 as an extension of
David Wallace Haskins: POLARITY running September 8, 2018 - January 13, 2019 at Elmhurst Art Museum

Time Spheres uses the medium of VR to invite visitors deeper into reality rather then an escape from it. The work offers an opportunity to step into and out of three distinct dimensions of time challenging one’s relationship with their past, present, and future selves. The initial installation integrated the active environment of EXPO Chicago and its visitors while offering the participant an opportunity to slow down and make room for the complexity of the present moment.

Skywall

Skywall

Platytera, 2012-2014
Steel, aluminum, wood, glass, polycarbonate, 
far infrared light film, existing architecture
Total dimensions variable
Z+O Architecture + Interiors

More VIDEO in Gallery below

Bridging sculpture, architecture and painting, a Skywall brings the full vertical dimension of the sky down to the horizontal space in which we live. Skywall: Platytera (Πλατυτέρα) is a permanent site-specific installation built into Z+O Architecture + Interiors' conference room wall. The moving image of the sky is not a digital projection or display, it is the actual three-dimensional sky brought to the pictorial plane.

During the day, atmospheric changes move across the aperture like a living painting continually recreating itself. In the evening Platytera moves through endless hues of blue until a deep black square emerges, slowly revealing a composition of moving stars and planets.

"Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space." 

John Ruskin


GALLERY:

Photos and Video: Platytera

Photos and Video: Secondary Phenomena
 

ESSAYS, INTERVIEW, AND Digital Book:

Daniel S. Robinson, Historian of Philosophy
The Condescension of Light

E. Paul Holmes, Psychologist
Regaining Our Balance

James P. Buban, Physicist
Breaking and Swapping Symmetry

Z+O Interview
Conversation with Daniel J. Simoneit, Principal Architect

Skywall: Platytera E-book Download

August 2014 Grand Opening Info

 

Time Mirror II

Time Mirror II

2018
Cameras, custom software and
computer, existing architecture

On view at 150 Media Stream in Chicago’s loop
as an extension of David Wallace Haskins: POLARITY
at Elmhurst Art Museum September 8, 2018 - January 13, 2019

Time Mirror II is an entirely live interactive video work that transforms 150 Media Stream into a 150’ digital mirror, reflecting the architecture and its visitors back onto itself, compressed and stretched in time.

Visitors are invited to contend with the singularity and plurality of the self, the internal perception and exterior reality of the self, and the present-self contending with the past and future-self.

The work offers an opportunity to slow down and see oneself moving through different layers of time from a third person point of view. Haskins says, “Seeing the self as “other” opens a doorway of understanding and compassion towards the self and the world at large."

Untitled

Untitled

Stainless steel, glass
60 x 60 x 60 in. (152 x 152 x 152 cm)

Proposal

Untitled

Untitled

2010-18
Glass, stone, water
96 x 96 x 96 in. (244 x 244 x 244 cm)

Proposal in progress

An all-glass open Skycube floating on a reflective infinity pool. The front appears as a cube of sky, the back as a cube of water, and the sides reflect the surrounding landscape.

Untitled

Untitled

2017
Oil on HDPE
12 x 12 x 4 in. (30.5 x 30.5 x 10.2 cm)
Private collection

VIDEO

Time Mirror III

Time Mirror III

2018
HD camera, HD projector, custom software and computer

Part of David Wallace Haskins: POLARITY
Elmhurst Art Museum
September 8, 2018 - January 13, 2019

Video

Time Mirror III reveals the continuity of the “self” in time, it serves as a metaphor for the many aspects of our individual identities, demonstrating that our present self is always in conversation and interacting with our past and future selves.

Two works in the same series will be premiering in September: Time Mirror II, September 3-30 at 150 Media Stream, 150 N. Riverside Plaza in downtown Chicago and Time Spheres, September 27-30 at EXPO Chicago, the international exposition of contemporary art at Navy Pier.

Sky/Earth

Sky/Earth

2010-17
Steel, glass
96 x 96 x 96 in. (244 x 244 x 244 cm)

Proposal 

Sky/Earth is an 8 foot open Skycube made of reflective steel and glass. The front appears as a cube full of the sky, the back as a cube full of the earth, and the sides reflect the surrounding landscape.

Time Mirror

Time Mirror

2016
Projector, camera, computer
Total dimensions variable
Installation view: David Wallace Haskins: PRESENCE
at Elmhurst Art Museum
, March 5 - May 8, 2016

VIDEO

Time Mirror allows the visitor to see the self as other, to observe their movement through space and time, in third-person.

Light Seeing Light

Light Seeing Light

2016
Visible and infrared light, lenses, fabric
Total dimensions variable

VIDEO

This ongoing series of Interactive Light
Sculptures are produced without the use
of computers or animation. A proprietary
method of slowly tuning various optics to
sculpt and manipulate visible and infrared
light is used to allow the light to interact
with itself and the surrounding environment
in both controlled and uncontrolled ways.
The experience of interacting with light
as a living thing offers experiential
knowledge about new aspects of the
phenomenon of light and the physical
connections we share with it. 


Video of original studio development (2010)

Myrios

Myrios

2016
Computer program and mobile devices

Premiered April 1, 2016 at Elmhurst Art Museum

Myrios syncs visitors’ mobile devices together in real-time to create connected fields of light and sound. It serves as a framework that turns mobile devices into speakers and video screens that play audio and/or visual compositions as a group. 

Void Mirror

Void Mirror

2016
Stainless steel, wood, fabric
48 x 48 x 6 in. (121.92 x 121.92 x 15.24 cm)
Installation View: David Wallace Haskins: PRESENCE
at Elmhurst Art Museum
, March 5 - May 8, 2016

VIDEO

Juxtaposing the complete reflection and complete absorption of light, Void Mirror invites the visitor to ponder the interiority and exteriority of the self, allowing a view of the self as both matter and mystery, reflecting the physical and metaphysical.

Untitled

Untitled

2015
HID light

Untitled

Untitled

2015
HID light, shadow
Part of a series of interactive light and shadow works

Untitled

Untitled

2015
HID light

Void Sphere

Void Sphere

2016
Steel, eps, polyurethane, microfiliments
50 in. (127 cm) Diameter
Installation view: David Wallace Haskins: PRESENCE
at Elmhurst Art Museum
, March 5 - May 8, 2016

Void Sphere activates both visual and tactile perceptions. Since its surface cannot be seen by the human eye, it appears to be a 2-dimensional object or hole in space. But as the visitor moves towards the work it appears to undulate and move towards the viewer growing in mass and scale, ultimately inviting the hands to perceive what the eyes cannot, transforming the work from void into volume.

Soundcube

Soundcube

2016
64 channel processor, hardware, fabric,
insulation, wood, carpet, light
144 x 144 x 144 in. (366 x 366 x 366 cm)
Installation view: David Wallace Haskins: PRESENCE
at Elmhurst Art Museum
, March 5 - May 8, 2016


Soundcube is a room-sized sound sculpture
that allows spatially-specific sound waves
to travel along the x, y and z axes activating
head-related transfer functions to create
an immersive three-dimensional sound field
in free air. 

By visually removing the sound sources, the
installation enables listeners to experience
sound waves as the physical entities they are,
giving them a presence similar to any other
object in space.  

Visitors experience sound moving around them
on all sides and even between them, creating
an altogether unusual sonic awareness resulting
in physiological responses such as ASMR

Soundcube also acts as a room-sized
instrument allowing compositions to be
written with and for it. Compositions
vary from atmospheric to architectural and
musical, each revealing unique elements of the
everyday soundscape: the biophony (biological
sounds), geophony (geological sounds), and
anthropophony (man-made sounds). 

Soundcube compositions that premiered at Presence:

Clicks 2:00 min
Seeming to be physically hitting the ceiling
and walls, landing somewhere between
the sound of rain or fire, insects or plastic.

Walk 1:00 min
Recorded on site, after hours, visitors hear the
presence of the artist walking towards the
Soundcube and then around it, encircling them
and walking away.

Grainstream 4:30 min 
Nicholas Cline's meditation on the centuries
old practice of seed-saving and the threats
imposed by patenting seed DNA. Recorded
with ritualistic bells, seeds, and grains. More here.

Creek 2:00 min
A nearby creek, spatially mapped in realtime.
By placing a series of microphones over the creek
bed that matched the alignment of speakers on
the Soundcube floor, the actual spatial presence
of the creek moves across the gallery floor.

Hummingbird 1:00
Visitors experience the sonic presence of a
hummingbird flying around the room.

Cubert 3:00
A musical composition heralding the original digital
sounds of 80's computer games. The work consists
of both individual notes and chords that swirl around
the listener in such a way that they feel they could be
plucked out of the air. 

 

*Some of the compositions written for this series
can also be experience via Myrios, a proprietary
program created to allow any group of
individuals with internet access to sync multiple
mobile devices in the same time and space, 
creating the necessary configuration of speakers
needed to experience these multi-channel
composition anywhere.

Untitled

Untitled

2017
Stainless steel
100 x 360 x 24 in. (254 x 914 x 61 cm)

Proposal

A site-responsive monolith that allows viewers to see themselves straight-on from nearly every position in the park, creating an inescapable gaze that follows the viewer's movement through space. It also reflects a non-reversed true image of the self and the surrounding environment, allowing viewers to see themselves in third person.

Untitled

Untitled

2017
Acrylic, glass
84 x 84 x 12 in. (213 x 213 x 30.5 cm)

Proposal 

 

Untitled

Untitled

2015
HID Light projection, shadow
144 x 144 in. (365 x 365 cm)
Part of a series of interactive light and shadow works

Untitled

Untitled

2012
Cotton matboard, gesso, extruded
polystyrene, natural and fluorescent light
33 x 33 x 7 in. (83.8 x 83.8 x 17.8 cm)

Untitled

Untitled

2015
HID light, shadow
Part of a series of interactive light and shadow works

VOID.BLUE

VOID.BLUE

2016
Internet application via url: void.blue

Premiered at EXPO CHICAGO/2016.

VOID.BLUE is an artwork of infinite space that can be freely accessed by any device through the url: void.blue. Although the idea of the void or infinity is commonly used, it is rarely if ever actually understood in any experiential sense. VOID.BLUE offers users a brief experience of the joys and frustrations encountered creating and navigating inside infinite space.

Presence

Presence

VIDEO

Solo exhibition available for travel. 

"Radical surprise...audaciously atypical...playfully impossible." -Lori Waxman, Chicago Tribune

Exhibition Program

Response to PRESENCE

Exhibition wall text:

"David Wallace Haskins produces immersive and interactive installations and sculptures that challenge perception. Introducing new ways to physically experience and understand such seemingly ephemeral phenomena as light, space, time and sound, Haskins’ poetic works offer a gentle disorientation that encourages a new awareness of the world around us.

Investigating the boundaries between presence and mystery, light and dark, heaven and earth, body and environment, self and other, interior and exterior, Haskins’ exhibition takes its form as a journey that requires a slower pace, an openness to uncertainty and a shedding of preconceived notions of how we perceive or name things we encounter. The sequence of works provides opportunities to experience light as a physical object, sound as a spatial presence, void as volume and time as something visible. The artist invites you to 'move outside of your history, the way you typically make sense of things, and allow a moment of vertigo... to find a new footing and ultimately enter into a kind of beholding that transcends language and thought.'

In addition to artists such as Caspar David Friedrich, René Magritte, Yves Klein and James Turrell, Haskins draws inspiration from other disciplines like psychology, physics, philosophy and digital technology. He works with a team of artists, developers and technicians to realize his complex installations."

Staci Boris, Chief Curator
Elmhurst Art Museum

Press Release:

"Elmhurst Art Museum presents the first solo exhibition for multi-media artist David Wallace Haskins.  Following the debut of his remarkable Skycube, currently installed on the Museum’s outdoor pavilion, Haskins' has produced 7 new site-specific installations in the exhibition galleries. Employing light, space, time and sound, these immersive and interactive works challenge visitors’ sense of perception, introducing new ways to physically experience and understand everyday phenomena. Haskins’ innovative and poetic works aim to inspire awe and wonder while connecting people through shared experiences."

Jenny Gibbs, Executive Director
Elmhurst Art Museum
 

Public Programs:

Sat, March 5, 2 pm - Tour and Talk with Artist David Wallace Haskins and guest Christopher Canfield, Soundcube technical developer

Sat, March 12, 2 pm - Kapoor, Klein, Turrell: David Wallace Haskins In Context, A Talk by Annie Morse, Senior Lecturer at The Art Institute of Chicago

Sat, March 19, 2 pm - Tour and Talk with Artist David Wallace Haskins

Sat, March 26, 2 pm - Panel Discussion: Artists Working with Light, Space and Time

Fri, April 1, 6-9 pm - World Premiere of Myrios by David Wallace Haskins, An Interactive Event

Sat, April 2, 2 pm - Tour and Talk with Artist David Wallace Haskins

Sat,  April 9, 2 pm - Magritte: The Mystery of the Ordinary, Lecture by Stephanie D’Alessandro, Gary C. and Frances Comer Curator of International Modern Art, The Art Institute of Chicago

Sat, April 16, 2 pm - Perception and Mindfulness Workshop with Artist David Wallace Haskins and Dr. Paul Holmes

Thurs, April 28, 6:30 - Book Discussion, On Looking: A Walker’s Guide to the Art of Observation by Alexandra Horowitz

Sat, April 30, 2 pm - Tour and Talk about the Science of Light and Art with David Wallace Haskins and guest Steve Davey, Technical Operations Specialist at Argonne National Laboratory

Sat, May 7, 2 pm - Family Workshop on Looking and Listening, led by David Wallace Haskins, appropriate for children ages 5+

Untitled

Untitled

2015
HID light

Summer/Winter

Summer/Winter

2016
Audio, 10 hrs, 4-channel stereo
Sense of Place at Elmhurst Art Museum
December - February, 2017

Summer/Winter is a 10 hour sound installation that allows visitors to hear the sounds of the previous summer as they happened hour for hour, played back in synch with real time each day of the following winter. 

As visitors look out on the winter landscape they can hear sounds of cicadas, rustling maples, lawnmowers, softball games and children playing. Every sound is happening at the time it originally happened but when earth was on the other side of the sun. As darkness falls earlier and the winter landscape evolves, the contrast between what is seen and heard increases.

The most recent iteration of this work used a recording of the park outside the Elmhurst Art Museum made during museum hours in the summer of 2016. It was played back during the winter months of 2016-17 inside the museum's main gallery which offered visitors panoramic views of the park through its floor to ceiling glass.

Untitled

Untitled

Corten steel, glass
96 x 96 x 96 in. (244 x 244 x 244 cm)

Proposal

OKC Skywall

OKC Skywall

Concrete, stainless steel, mild steel, aluminum
Dimensions variable

Site-specific proposal for Oklahoma City, OK

Video Presentation

A Skywall with an aperture so large visitors can step inside it and be immersed in the sky through the world's largest seamless flat mirror.

The Portal

The Portal

(In progress)

Concrete, glass, aluminum, steel, HD LED panels, HD cameras, microphones, speakers
View: Chicago, IL USA


"The world has never truly had to develop an ethic of interdependence rooted in our common humanity. And if we do it, the 21st century will be the most interesting, exciting, peaceful era in history."

W. J. Clinton

"In all the arts, there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. For the last twenty years neither matter nor space nor time has been what it was from time immemorial. We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art."

Paul Valery



INTRODUCTION

The Portal brings together individuals from around the world into familiar time and space. It builds new bridges and perspectives for how we see the world around us. It is a window for us to look through, out beyond the limits of its own technology.

The Portal is a double-sided wall that is broadcasting a live view of another city on one side and on the opposite side broadcasting a live view of a wilderness area outside that city. This allows young and old alike to connect with cultures they might never be able to visit simply by walking by the installation. And by walking around to the other side visitors can relax on benches or blankets and take in whatever surprises nature might have to offer as it is happening at that very moment. Throughout the day these visions will change as The Portal links up with another city or wilderness area around the world every 30-60 minutes, enabling you to always see something new each time you visit.


PART I:  THE CITY

Not only can you see others from another city  but you can even hear them and talk to them as well. This experience and interaction leads to a renewed sense of perception, the elusive awareness of the individuality and yet profound similarity we share with all peoples near and far.

This installation is an artwork in and of itself, but the natural surroundings, the visitors and passerby's become an integral part of the piece as well. Simply and magically it brings the viewer into intimate contact with another culture and urban setting from around the globe, acting as a literal portal into an unfamiliar world. You participate in a synergistic loop where you are both participating in the art and the viewing of it. This is experienced both individually and communally, locally and globally.

The applications of having open Portals set up in different cities and cultures around the world are endless. The Portal becomes a defining tool of innovation for the city, connecting cities with each other in new and creative ways. Everything from concerts to simulcasting world events in ways never before experienced will be possible. As pioneering artistic minds begin to see the possibilities and think creatively about what could be done with this kind of world-connection we are bound to see innovative applications arise.


PART II:  THE WILDERNESS

The Portal doesn't stop at enabling you to partake in experiential connection with other cities and cultures, it also brings us into close contact with the beautiful wilderness/wildlife areas outside those cities. It does this on the opposite side of the wall or by simply fading between a broadcast of the wilderness and the city every other 30-60 minutes.

Viewers get to intimately see and hear the vibrant sights and sounds of nature up close as they are actually happening live. Playful monkeys leaping through a jungle, an Amazon rainforest teeming with exotic creatures, the northern lights glowing vibrantly overhead, or the Great Barrier Reef colorfully flashing and flittering with otherworldly life; each particular environment fills the viewer with wonder and awe at the serene and bustling complexity these unscathed regions posses. Part of the fun is never knowing what will happen next. One moment you could be stilled by watching a calm and quiet landscape before a storm and the next moment awakened by a stampede of elephants.


SUMMARY

The Portal connects us to the world around us in new and profound ways. It inspires us with the earnestness and playfulness with which nature fills her daily routine, while observing the unique way a local culture is affected by it's surrounding wilderness and how that wilderness is in turn affected by the culture. The Portal's juxtaposition of city alongside city alongside its respective wilderness creates a radical ecological, geographical, and spatial paradigm shift which soberly reminds us of the interdependence we share with one another and in turn with the wild spaces around us for both physical and spiritual survival.




THE PORTAL IN 360 DEGREES:  INVISIBLE ARCHITECTURE

The Cube or Sphere Portal takes The Portal to a new level by surrounding you on all 6 sides, completely and immersively transporting you to another world, transitioning smoothly between the city and wilderness at different times of the day. On the inside you see a live 360 degree broadcast of another city or wilderness. On the outside walls of the structure you see a live broadcast of the inside of the Cube or Sphere Portal you are linked to so you can connect with the people from that culture.

One of the most interesting design aspects of this 360 degree structure is that in some senses it will behave like invisible architecture. The outside structure of "Portal A" is a live screen showing the interior of the inside of "Portal B", which it's linked to, and since the inside of "Portal B" is broadcasting a live view on it's interior walls of the live surroundings of "Portal A" then in essence if you were standing outside looking at "Portal A" you would see the people standing inside of "Portal B" and "Portal A" from a certain vantage point would seem invisible because everything in the background of "Portal B" is what is in the actual background where you are standing outside of "Portal A". The same is true if you were standing outside looking at the exterior walls of "Portal B". This is an extremely hard concept to understand without experiencing it but if you would ever enjoy a personal explanation, please contact us. 
 

We are in the midst of working towards bringing this unique installation into existence around the world. If you have any interest in helping us do so, or have any questions please don't hesitate to contact us below.

_______________________________________________________

*As mentioned The Portal has many other artistic applications beyond those described here, some of which we have been working towards since 1996. It is our firm belief that structures like these will be used in cities worldwide for many different public and private events and that larger versions of The Cube in particular will essentially become the auditoriums of the future. They will host everything from the new cinema, to live theater, symphonies, and rock concerts in ways never before imagined, not to mention new art forms yet to be created that will be inspired by the unique freedoms made available in these spaces. If the development of these ideas interests you please contact us.

 

 

© 2004-15 David Wallace Haskins

 

Untitled

Untitled

2015
#8 stainless steel
12 x 12 x 12 in. (30.48 x 30.48 x 30.48 cm)

 

Skywall

Skywall

2010
Steel, aluminum, wood, glass, existing architecture
Total dimensions variable
Private residence

Bridging sculpture, architecture and painting, Skywall brings the full vertical dimension of the sky down to the horizontal space in which we live. The moving image of the sky is not a digital projection or display—it is the actual three-dimensional sky brought to the pictorial plane.

During the day, atmospheric changes move across Skywall like a living painting continually recreating itself. In the evening it moves through endless hues of blue until a deep black square emerges, slowly revealing a composition of moving stars and planets.

"Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space." 

John Ruskin

 

Advent

Advent

2011
Cotton matboard, proprietary pigment
process, extruded polystyrene, natural
and fluorescent light
30 x 30 x 7 in. (76.2 x 76.2 x 76.2 cm)
Private collection

Sky, Blue

Sky, Blue

2012
Cotton matboard, steel, glass, aluminum,
existing architecture
Total dimensions variable

Top half: Skywall
Bottom half: Void Painting

Advent II

Advent II

2012
Cotton matboard, proprietary pigment
process, extruded polystyrene,
natural and fluorescent light
33 x 33 x 7 in. (83.8 x 83.8 x 17.8 cm)
Private collection

Untitled

Untitled

2010
Limited edition C-print

Untouched photographs of the sun and sky taken
through organic apertures.

Untitled

Untitled

2010
Limited edition C-print

Untouched photographs of the sun and sky taken
through organic apertures.

 

Untitled

Untitled

2014
Limited edition C-print

Untouched photographs of the sun and sky taken
through organic apertures.