https://davidwallacehaskins.com/interactive-light-sculpture daily 0.75 2016-06-30 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438148660148-FUC7DLL78J6ICC8A7QIZ/image-asset.jpeg Interactive Light Sculpture - Interactive Light Sculpture Produced without the use of computers or animation. A proprietary method of slowly tuning various optics to sculpt and manipulate visible and infrared light is used to allow the light to interact with itself and the surrounding environment in controlled and uncontrolled ways. In the end the viewer is invited to interact with light in a new way, as a living thing - gaining experiential knowledge about new aspects of the phenomenon of light and the physical connections we share with it.   Continue to Work gallery https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438148660148-FUC7DLL78J6ICC8A7QIZ/image-asset.jpeg Interactive Light Sculpture - Interactive Light Sculpture Produced without the use of computers or animation. A proprietary method of slowly tuning various optics to sculpt and manipulate visible and infrared light is used to allow the light to interact with itself and the surrounding environment in controlled and uncontrolled ways. In the end the viewer is invited to interact with light in a new way, as a living thing - gaining experiential knowledge about new aspects of the phenomenon of light and the physical connections we share with it.   Continue to Work gallery https://davidwallacehaskins.com/okc-skywall daily 0.75 2015-07-29 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438146023133-2ZANMWBFJSERUOQ6ARHJ/image-asset.jpeg OKC Skywall - OKC Skywall Proposal Continue to Work gallery https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438146023133-2ZANMWBFJSERUOQ6ARHJ/image-asset.jpeg OKC Skywall - OKC Skywall Proposal Continue to Work gallery https://davidwallacehaskins.com/skycube daily 0.75 2016-02-04 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1440078786687-DKFNEG1L6OKMNGJ8ZJU2/20150813+Skycube-3493.jpg Skycube https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1440051655384-BI4H8VJ9SM20DRTFI2B7/IMG_1826.JPG Skycube 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Skycube Parallax Back to Skycube main page https://davidwallacehaskins.com/work daily 0.75 2026-03-25 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1663619488339-6Z32VRLOLBE26LJZCLNZ/image-asset.jpeg Work - The Memory of Glass 2020-22 Proprietary electronics, existing architecture dimensions variable Part of DAVID WALLACE HASKINS: LANDSCAPE + LIGHT November 2021 - March 2023 Edith Farnsworth House Plano, IL Video An immersive architectural intervention in Mies van der Rohe’s iconic glass home, the Edith Farnsworth House— installed by Haskins during his 2022 artist residency. Building on the recent scientific discovery that glass retains memory, Haskins’s work envisions the glass walls of the house as hearing and remembering the varied soundscape that has filled and surrounded it over the last 70+ years across the 60 acres of woods and farmland that it sits on. Haskins has engineered a way for these memories to emanate from the house itself, allowing the 12 large windows of the house to become 12 glass speakers sending sonic imagery both outward into the terrain and inward into the home. As visitors walk towards the house they will hear this storied soundscape swirling with the one already in their midst, merging the past with the present and the interior with exterior. Walking into the home will immerse the listener in 12 unique channels of sound that the artist gathered through archives as well as his field recordings across the property over the last few years, such as birdsong, crickets, bald eagles, egrets, owls, coyotes, traffic, even a flood gurgling up the side of the house, people enjoying an evening party, a violinist (presumably Edith) practicing her favorite piece of music during a thunderstorm, Mies conversing about his work, Lord Palumbo sharing his favorite music to play in the house and telling stories about how he met Mies and came to own the house after Edith. The work allows the adage “if these walls could speak" to be realized, enabling the house to tell its own story. As an architect, Mies was interested in visually blurring the line between the indoors and outdoors, which he most effectively realized with the Edith Farnsworth House. With The Memory of Glass Haskins pushes the idea further—the soundscape moves right through the house, from the outside in and the inside out, allowing the architecture to finally become fully transparent—aurally as well as visually, further dissolving the boundary between the interior and exterior world. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1663619488339-6Z32VRLOLBE26LJZCLNZ/image-asset.jpeg Work - The Memory of Glass 2020-22 Proprietary electronics, existing architecture dimensions variable Part of DAVID WALLACE HASKINS: LANDSCAPE + LIGHT November 2021 - March 2023 Edith Farnsworth House Plano, IL Video An immersive architectural intervention in Mies van der Rohe’s iconic glass home, the Edith Farnsworth House— installed by Haskins during his 2022 artist residency. Building on the recent scientific discovery that glass retains memory, Haskins’s work envisions the glass walls of the house as hearing and remembering the varied soundscape that has filled and surrounded it over the last 70+ years across the 60 acres of woods and farmland that it sits on. Haskins has engineered a way for these memories to emanate from the house itself, allowing the 12 large windows of the house to become 12 glass speakers sending sonic imagery both outward into the terrain and inward into the home. As visitors walk towards the house they will hear this storied soundscape swirling with the one already in their midst, merging the past with the present and the interior with exterior. Walking into the home will immerse the listener in 12 unique channels of sound that the artist gathered through archives as well as his field recordings across the property over the last few years, such as birdsong, crickets, bald eagles, egrets, owls, coyotes, traffic, even a flood gurgling up the side of the house, people enjoying an evening party, a violinist (presumably Edith) practicing her favorite piece of music during a thunderstorm, Mies conversing about his work, Lord Palumbo sharing his favorite music to play in the house and telling stories about how he met Mies and came to own the house after Edith. The work allows the adage “if these walls could speak" to be realized, enabling the house to tell its own story. As an architect, Mies was interested in visually blurring the line between the indoors and outdoors, which he most effectively realized with the Edith Farnsworth House. With The Memory of Glass Haskins pushes the idea further—the soundscape moves right through the house, from the outside in and the inside out, allowing the architecture to finally become fully transparent—aurally as well as visually, further dissolving the boundary between the interior and exterior world. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1663212583205-CWS82MH18L5J8H8GZSAD/image-asset.jpeg Work - Image Continuous 2010-21 From the Skycube series Pyrolytic coated glass, aluminum 96 x 96 x 96 in (244 x 244 x 244 cm) Part of DAVID WALLACE HASKINS: LANDSCAPE + LIGHT November 2021 - December 2024 Edith Farnsworth House Plano, IL (available for purchase or commission at any size) Video 1 Video 2 Press This site-responsive glass sculpture invites us to slow down as we witness the landscape and light unfolding in subtle and quieting ways. It shifts us from spectator to participant as our movement transforms the composition, revealing the three-dimensional presence of the sky held in the earth. We tend to ignore the sky as it enwraps the landscape, but with Image Continuous, the dynamic is reversed—the landscape enwraps the sky, giving it shape and form. Here we can approach the sky on foot, coming face to face with 
it in a very physical and personal way. Haskins reminds us, “The sky, or troposphere, starts at the ground and rises 10 miles high. It’s the part of nature we are most intimately related to, yet we often forget we are living and breathing in it everyday. My hope is that in encountering its quiet pace and presence, we might begin to learn from it, and rest back into our own unfolding.” Background and Construction Image Continuous is the fourth in a series of Skycubes that Haskins has installed in the US, and the second to sit in conversation with one of Mies van der Rohe’s homes—the first being Skycube, (2010-15) located outside the McCormick House at Elmhurst Art Museum and made from the same glass and white-painted steel used in the home. For Edith Farnsworth House, Haskins created his first glass Skycube, paying homage to Mies, who pioneered the glass house and the glass skyscraper from 1945 to 1951. Using 1 ton of skyscraper glass, half the amount used in Edith’s home, Haskins developed a very particular reflectivity, giving the sculpture its mysterious presence and enabling it to externally reflect the sky and its surroundings while internally absorbing light, allowing its lateral reflections to recede into a dark void—a common tension in Haskins’s work. The title, Image Continuous, was found by the artist in “The Quality is Lent”, a surprisingly apt poem written by Edith Farnsworth in one of her journals, excerpted below: The quality of light is lent A wave-like incidence – Image continuous. Warm-brown timbered flesh is bent – In shadow shivering – Dense fibrous sinuous Sky reflection interlace… Silence on mirrored interface Reflects the limpid notes, Resounds in sun-lit glade. Image Continuous opened to the public on Edith’s birthday, November 17, 2021, on the rededication and 70th anniversary of the house where it was renamed the Edith Farnsworth House. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1666240430330-OSZVMUOYLMZ9I7G2WA3C/image-asset.jpeg Work - Stone Landing 2022 From the Stone Kōan series Original travertine from the Edith Farnsworth House Sapele bench, stereo-tuned tubular aluminum bells, dimensions variable Part of DAVID WALLACE HASKINS: LANDSCAPE + LIGHT November 2021 - December 2024 Edith Farnsworth House Plano, IL (available for purchase) Video A new installation on the grounds of the Edith Farnsworth House leads visitors to an expansive view of the Fox River diverging around an easterly island. This picturesque location was one of the artist’s favorite places to spend time watching the crane and great egret do their fishing during his residency. Here, Haskins placed his largest meditative monolith from his new Stone Kōan series. The sculpture was created from the original travertine landing stone that was the final step to the upper terrace of the Edith Farnsworth House from 1951-2021 (*see Note below). Haskins also crafted a wooden bench out of sapele wood, to afford visitors a place to rest and take in the quiet view while listening to matched sets of deep-resonating hand-tuned tubular bells which he hung in the trees on each side of the bench. As the breeze comes in off the river it activates the bells, creating a harmonious stereo hum that encourages all to linger. *Note: Last year the travertine stone that had been part of the house's lower terrace for 70 years was removed and replaced due to severe weathering. Haskins was able to use this original stone, which Mies personally selected for the house, to create a new sculpture series which is on view and for sale in the visitor center to help support future renovations. To purchase this particular sculpture or for more info on purchasing one of the smaller versions please send an email to: info@dwhstudio.com. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1671358085068-JA97W8LLBQPRG6OTMTFN/Screenshot+2019-03-15+14.43.00.png Work - Time Mirror IV 2016-18 From the Time MIrror series HD camera, HD display, custom software, and computer Video Time Mirror IV brings the visitor out of their head and into their body, allowing them to sense how their body moves through, fills, and sculpts space in time with surprising volume and consequence. It provides the unique sensation of physically experiencing present time by revealing how it is not so much a “moment" we are striving to find or stay in as it is a kind of flowing stream that we are invited to rest back into. — — Curatorial Notes: Unlike a conventional mirror that reflects a static image, Time Mirror IV reflects our unfolding. Using a buffered video feed, it blends the past and present into a fluid, undulating stream of the body in motion. Here, movement and time are inseparable. We are not simply moving through space while time ticks past, nor are we passive observers of an external sequence of happenings. Instead, we are dynamically participating in and unfolding within space and time itself. By dissolving the artificial boundaries between past, present, and future, the work reveals the continuity of movement, transforming time from an abstract concept into something tangible and inhabited. We come to recognize that we are not merely passing through time, but we are interrelationally alive within its ongoing rhythm. In a world where digital technologies often fragment our attention and pull us into abstraction and disembodiment, this work does the opposite. Like mindful breathing or walking, it reintegrates mind and body, reawakening a felt sense of presence—an invitation to return to the immediacy of being alive. Background and inspiration: Time Mirror IV is from Haskins’ Time Mirror series, a larger body of works that help us slow down and re-enter relationship with ourselves in real, embodied ways. The work stems from the artist’s concerns about the ecological crises we face around the world at every level which are affecting us all and which we are all directly a part of. The works might seem playful but, at their core, they are directly addressing our inability to meet ourselves with openness, curiosity, and vulnerability which inhibits us from meeting others and the world at large with that same compassion and understanding. To Haskins, this is the root of our ecological disequilibrium. We live in an era where days, weeks, even years can pass without us fully inhabiting our bodies. Technology and the busyness of life often tightens our awareness, pulling us into the mind’s loops and abstractions, until we forget we even have bodies—or that we’re living in a vast, relational field that extends far beyond our minds and bodies. This sense of disconnection and isolation only leads to further disconnection and isolation from ourselves and the living world. Instead of using technology as a means of escape, Haskins’ desire is to use it as a means for connection and integration. Time Mirrors become perceptual tools to help us see ourselves more clearly: uncurated, immediate, and alive, leading us out beyond the limits of their own technology and deeper into the interrelational nature of reality in more embodied and dynamic ways. Regarding Time: Many of us carry the quiet belief that time is working against us—rushing past, slipping away, demanding more. In his explorations with time, Haskins has come to realize that this struggle isn’t with time itself, but rather with our idea of it. It has led him to ask, “What if time isn’t some abstract chronological limitation but is the actual interrelational unfolding of life itself? What if it isn’t something we are racing against, but is something we are invited to rest back into?” This shift offers a transformative reorientation that can begin to help us re-perceive our deepest misunderstanding: that we are cut off from the meaningful flow of life itself, from its dynamic unfolding, and separated from belonging right here in this thisness. Time Mirrors invite us back into this belonging. There’s something deeply playful and delightful about becoming attuned to our own unfolding in belonging, it can feel like coming home. What once felt abstract or conceptual suddenly becomes embodied, immediate, and real. Upon stumbling on these works, visitors often say “I know this sounds strange, but I think this is the first time I’ve ever really seen myself." Writers and philosophers have spoken in the past about stepping out of psychological time and into “the present moment,” as if presence were a place we could arrive at through effort or escape. But presence is not a location nor is it a moment. To Haskins, Presence and time, in their truest sense, are not separate—they are the same living rhythm of life unfolding. In Time Mirror IV you might find yourself returning to this movement—not as an idea, but as an experience. Here, we are no longer at odds with time, nor are we striving to be present. We are simply resting back into time witnessing ourselves unfolding relationally with it. These works reminds us that time is not a threat, and presence is not a goal. They are both expressions of the same interrelational movement of being—something we are always already held in. And so, in this awareness, we come sense that we are not escaping time, but coming home to it. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1771294475006-Y76H3NZG38LV3LYIQE6W/IMG_5865.jpeg Work - Volumetric Glass (Blue) 2025 Glass 10 x 10 x 40 in (25.4 x 25.4 x 101.6 cm) Video Volumetric Glass Works evolved from Haskins’ longstanding Skycube series, extending its geometry of angled and parallel planes into a more atmospheric register. Rather than reflecting the sky, these glass forms behave more like the sky itself, holding, transmitting, and scattering light and color as conditions shift throughout the day. Though the structures are precise and highly controlled, what they generate is markedly less fixed. Composed of four planes of glass joined without visible fasteners or clips, each work forms a rectilinear volume that feels at once familiar and unfamiliar, stable and elusive. Their material presence seems to fluctuate as planes appear and disappear, allowing the work to shift between object and apparition. This tension is central to Haskins’ practice, in which artworks are approached less as fixed things than as unfolding events of light, space, and perception. Much of contemporary perception moves quickly from seeing to naming to knowing. Objects are identified, categorized, and absorbed through habit, memory, and use. Haskins’ work seeks to slow or interrupt that sequence. What emerges through this instability is a softening of the impulse to immediately define or explain what is before us, suspending habitual forms of recognition and opening a more relational mode of attention. Within that suspension, the possibility of what Haskins describes as a “third kind of seeing” begins to emerge: a mode of perception neither driven by utility nor governed solely by interpretation, but arising when the reflex to secure certainty is interrupted. In that pause, perception can become more attentive, less instrumental, and less dominated by conceptual closure. One begins to look longer, and to become more sensitively attuned to what is unfolding in the encounter. Seeing shifts toward beholding, toward a condition of wonder, receptivity, and relation. The work does not impose this change or manufacture insight, but it can unsettle perceptual habit just enough for another quality of attention to arise, one that may quietly shape how one encounters space, others, and oneself. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1772046881320-Y5GAUUEIG3QLD1NATMWJ/image-asset.jpeg Work - Skycube (Brazilian Super White Dolomite) 2025 Stone, Pyrolytic Glass 24 x 24 x 24 in, (61 x 61 x 61 cm) https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1596748296733-FR1XXBU3LEUFOVV93MUS/IMG_8338+2.jpg Work - Ascension / Descension 2018 Glass, aluminum, wood, LEDs, polycarbonate, and existing architecture Dimension variable Part of David Wallace Haskins: POLARITY Elmhurst Art Museum September 8, 2018 - January 20, 2019 Video 1 Video 2 Review by Bianca Bova Interview with Bad at Sports Ascension / Descension was an architectural intervention of Mies van der Rohe’s McCormick house highlighting Mies’ interplay with the earth and sky, architecture and nature, the ranch house and the skyscraper. The work employed a single line of light and 3 tons of glass mirror creating an infinite Miesian grid ascending and descending inside the house. Visitors were invited to walk out onto the glass feeling themselves suspended between the endlessly repeating layers of sky and earth, putting Mies' one-story glass house in conversation with the skyscrapers that made him a modern icon. — Background: The McCormick House’s concept of parallel glass walls bookended in brick was actually the initial design intended for Mies van der Rohe’s first high-rise, the Promontory Apartments in Hyde Park, Chicago. Had this happened this design would have been famous for being the worlds first glass skyscraper, but it was rejected and in 1949 they built a concrete high-rise instead. The success of the Promontory Apartments offered Mies the opportunity in 1951 to finally build the world's first glass skyscrapers, the 860/880 Lake Shore Drive Apartments, to much acclaim. The following year, 1952 Mies returned to his original high-rise concept of parallel glass walls bookended in brick but this time he developed them into a single story ranch home for Robert McCormick. What initially began as the aesthetic vision for Mies’ tallest building and world’s first glass skyscraper, essentially became his lowest structure, a modular glass home for the average American family. Mies glass and steel skyscrapers made him a household name and forever changed the landscape of the modern city. They brought Americans up into the sky, allowing them to live and work in light filled spaces surrounded by clouds. In 2015 when Haskins was invited to create a site-specific sculpture outside the Mccormick House, it seemed fitting then for him to reverse the narrative and bring the sky down to Mies’ single story glass house, which he did with Skycube. Then in 2018, after the Mccormick House was renovated, Haskins was commissioned to return again and developed an architectural intervention inside the house that would coincide with his solo exhibition Polarity and celebrate the history of the house. Ascension / Descension continued the initial conversation he began with Skycube, this time bringing the sky down into the house itself, reconnecting its walls of glass and brick to Mies’ original vision, letting them finally stack endlessly into the sky as he perhaps first imagined. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1695078328498-TAXU78OZ7VMVW3FSYI9H/IMG_8430.jpeg Work - Skycube II 2017 Aluminum, glass 80 x 80 x 80 in (203 x 203 x 203 cm) Palm Springs, California Private collection More Pictures Time lapse video https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1571033015959-VCIEKCU5GXY2XNFLKW0N/IMG_9561.jpeg Work - Breath 2019 4.12-channel stereo sound installation, infrasonic subwoofers, and full-range speakers Chicago Sound Show University of Chicago Video Book Breath was an architectural sound work for both hearing and deaf visitors that was channelled through Cobb Gate, the landmark entrance to the University of Chicago's Main Quad. The work uncovered the often unnoticed layers of sound moving through the campus each day, offering those passing through an opportunity to relax on the benches inside and physically experience this hidden soundscape. Composed of the university’s interior and exterior sounds, from individual heartbeats and handwriting to songbirds and buses, the work was woven together and carried by the deep breathing 32 foot pipes of the E.M. Skinner Organ at Rockefeller Chapel. The composition played from 9am-9pm every day with the organ crescendo happening during the last 8 minutes of every hour. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1661897031456-68439UGMBQJNMIU7M8A4/image-asset.jpeg Work https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1682368334802-G4PMNPW5C6DEVPDIXC24/image-asset.jpeg Work - Atma 2022 From the Skywall series 
 Dedicated to Matthew J. Larson 
Pyrolytic coated glass, mirrored glass, wood 
Dimensions variable Part of Here After, at Bridge Projects 
 Los Angeles, CA Video 1: parallax with clouds Video 2: time-lapse of the sun movement Atma was an architectural intervention that invited viewers into a dynamic relationship with the sky, themselves, as well as the interior gallery and its exterior architecture. The title comes from the Sanskrit word for essence, breath, soul, or self. The work became a threshold or doorway between worlds where the viewer experienced their own body transfigured in light. Throughout the day the light of the sky would circumscribe the gallery from ceiling to wall to floor, like an ancient zenith tube moving horizontally through space revealing multiple circles of warm light until they converged and disappeared. In this way, the work became three-dimensional and multi-sensorial, both looking out into the infinite expanse, (a view that shifted with one’s position in space), while also reaching inside the gallery physically warming and drawing visitors to the threshold of its presence. Curatorial Notes https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1632261962959-ZRRPA6R530EGK5XI7LZ7/image-asset.jpeg Work - Time Mirror (Grand Rapids) 2016-21 From the Time Mirror series HD camera, HD projector, custom software and computer Dimensions variable Part of DAVID WALLACE HASKINS: BEING IN TIME On view September - November, 2021 Studio Park Grand Rapids, MI Haskins' latest Time Mirror, a large LED screen reflecting the Studio Park piazza in layers of time, allowing visitors to meet their past self as well as step into their present self, to become fully embodied in time. It also allows visitors to see themselves in third person, as others do. Haskins says, “Seeing the self as “other” opens new doorways of understanding and compassion, revealing the interrelational life we share with ourselves, others and the living world." https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1632258875546-PDRCVX2YJTZ7SWMGJL1G/image-asset.jpeg Work - Open Skycube 2010-21 From the Skycube series Pyrolytic coated glass, MDO 93 x 96 x 92 in. (236 x 244 x 233 cm) Part of DAVID WALLACE HASKINS: BEING IN TIME On view September - November, 2021 Studio Park, Grand Rapids, MI Continuing Haskins’ exploration with the sky through his ongoing Skycube series, this work allows visitors to come face to face with the undistorted three-dimensional presence of the sky in a real and embodied way. The viewer also has the opportunity to see themselves in third-person, resting back into the sky, surrounded and held by the very atmosphere that sustains them—highlighting the interdependence they share with the sky every day. “We only care for things we truly feel connected to,” Haskins says, “it’s understandable why we struggle to care for this world when we live so emotionally disconnected from it. Sensing a deeper connection with the living world means we will more naturally care for it. With my Skycube series, I want to help us connect more deeply with a part of the natural world we constantly rely on but rarely think about. I wanted to bring the visible presence of the sky down, resting on the earth’s surface in a physical, approachable, and relatable way we never experience. I wanted visitors to be able to come face to face with the sky, allowing it look into them as much or more then they were there to look into it.” Haskins continues, “The sky, or troposphere, starts at the ground level and is the atmosphere that supports all life on this planet. It isn’t some far off place, it’s right here, we live in it. There is no part of the natural world we could be more intimately related to, we quite literally live and work and breath in the sky. It surrounds us and deeply affects each one of us, inwardly and outwardly. And what we do in it everyday deeply affects the sky as well. It’s not a one-way relationship. Haskins’ Skycube series bridges architecture and sculpture, becoming a living painting as it brings the full vertical dimension of the sky down to the horizontal space in which we live, while also offering an opportunity to contemplate the presence of light and space unfolding in time in quiet and ever-changing ways. In the evening, the work moves through endless hues of blue until a deep black void emerges, slowly revealing a composition of moving stars and planets. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1532452014617-KLG3ICRBN2MH69WY6TBN/IMG_5523.jpg Work - Uncertain Horizon 2015-18 From the Architecture of Light series Projector, media server, computer, haze Dimensions variable Premiered at David Wallace Haskins: POLARITY Elmhurst Art Museum September 8, 2018 - January 20, 2019 Architecture of Light is a series of immersive light works that invite visitors to experience the physical, architectural, and sculptural presence of light and color. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1695065226058-9AXZ0YKMOX1MF61TLIIN/image-asset.jpeg Work - Open Skycube (glass) 2010-22 From the Skycube series Glass, aluminum 96 x 96 x 96 in. (244 x 244 x 244 cm) (available for purchase or commission at any size) https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1536698771137-E8Y3PTKC6DRYNRSG66IU/IMG_7682.jpeg Work - Where we meet 2015-18 4K projection Duration: 1 hr 30 min Part of David Wallace Haskins: POLARITY Elmhurst Art Museum September 8, 2018 - January 20, 2019 A silent immersive film showing groups of individuals of different ages and backgrounds walking towards the viewer from an infinite point in the distance until they each arrive full-size on the gallery wall looking directly at the visitor. After some time these individuals turn and walk away, disappearing back in the distance, followed by new individuals walking towards the viewer as the cycle continues. The film has no projection frame, causing the filmic nature of this work to recede, giving way to a more relational and experiential encounter that is traditionally unknown in this medium. The film also has no horizon line, the sky and earth have been removed, transforming the gallery wall into a void of infinite space that each figure emerges from and returns to. This slow and silent process creates a space for a relational encounter to unfold as the moving figures activate an unusual anticipation or longing in the viewer, waiting for the figures to arrive and leave again and again. This unusual anticipation and focus on the individual’s coming and going brings particular attention to the phenomena of the human gait and its unique relationship to our individual identity. The gait becomes a clear signifier of individuality, like a fingerprint or iris, and yet stands apart as the only signifier that cannot be privatized or covered up like fingerprints or eyes can be with gloves and sunglasses. The work uncovers the inherent vulnerability of this unmistakable and yet unmaskable identifier, becoming a silent mediation on our unique movement through space and time, into and out of one another’s lives. It acknowledges the daily rhythm we are all surrendered to- namely our constant coming and going, from the unknown into the known and back again, and the enigmatic presence and absence, birth and death of strangers, friends and loved ones. The work affords a safe space to sit with and contemplate these inherent mysteries and a space to experience and meet the inherent potency and presence of the “other” as well as the shape of their absence. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1458945911889-Q59OV4VZYMI4BON1CGCI/FullSizeRender+14.jpg Work - Void Room 2010-16 Wood, drywall, fabric, light Total dimensions variable Installation view: David Wallace Haskins: PRESENCE at Elmhurst Art Museum, March 5 - May 8, 2016 VIDEO Void Room is an installation work comprised of an empty gallery holding a towering black monochrome opposite the entrance. The monochrome’s height is the same as gallery’s depth, which compresses the space and dwarfs the viewer. The monochrome is so dark it cannot be visually aprehended, inviting the body to perceive what the eyes cannot. This physical movement into the unknown contains perceptual and phenomenological discoveries that affect visitors' interior and exterior perceptions. What initially appears as a two-dimensional visual work, evolves into a deeply spatial, aural, and tactile experience. Participants encounter a journey from exteriority to interiority, embodiment to disembodiment and back again, offering experiential knowledge of previously held abstract concepts and ideas. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1458034537242-Y93B3OU5K323GLF31BQ3/image-asset.jpeg Work - Void Sphere 2010-16 Steel, eps, polyurethane, microfiliments 50 in. (127 cm) Diameter Installation view: David Wallace Haskins: PRESENCE at Elmhurst Art Museum, March 5 - May 8, 2016 Void Sphere activates both visual and tactile perceptions. Since its surface cannot be seen by the human eye, it appears to be a 2-dimensional object or hole in space. But as the visitor moves towards the work it appears to undulate and move towards the viewer growing in mass and scale, ultimately inviting the hands to perceive what the eyes cannot, transforming the work from void into volume. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1654093221197-81IZ2ECDKCZKEUWS2KQB/image-asset.jpeg Work - Image Continuous 2010-2021 From the Skycube series Pyrolytic coated glass, aluminum 96 x 96 x 96 in. (244 x 244 x 244 cm) Part of DAVID WALLACE HASKINS: LANDSCAPE + LIGHT November 2021 - December 2022 Edith Farnsworth House Plano, IL This site-responsive glass sculpture shifts visitors from spectators to participants as their movement transforms the composition, revealing the three-dimensional presence of the sky held in the earth. We tend to ignore the sky as it enwraps the landscape, revealing shadow and form. But with Image Continuous, the dynamic is reversed, the landscape enwraps the sky, giving it presence and materiality, and affording us the strange opportunity of approaching the sky on foot, coming face to face with it in a very physical and personal way. Haskins reminds us, “The sky, or troposphere, starts at the ground and rises 10 miles high. There is no part of the natural world we could be more intimately related to. All of this planet is rooted in the earth while living and breathing in the sky.” BACKGROUND AND CONSTRUCTION: For Edith Farnsworth House, Haskins created his first glass Skycube, paying homage to Mies, who pioneered the glass house and the glass skyscraper from 1945 to 1951. Using 1 ton of skyscraper glass, half the amount used in Edith’s home, Haskins developed a very particular reflectivity, giving the sculpture its mysterious presence and enabling it to externally reflect the sky and its surroundings while internally absorbing light, allowing its lateral reflections to recede into a dark void—a common tension in Haskins’ work. The title, Image Continuous, was found by the artist in “The Quality is Lent”, a surprisingly apt poem written by Edith Farnsworth in one of her journals, excerpted below: The quality of light is lent A wave-like incidence – Image continuous. Warm-brown timbered flesh is bent – In shadow shivering – Dense fibrous sinuous Sky reflection interlace... Silence on mirrored interface Reflects the limpid notes, Resounds in sun-lit glade. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1444111787115-EXSTP3G71W4NZBPUGCJI/image-asset.jpeg Work - Skycube 2010-15 From the Skycube series Steel, glass, far infrared light film, limestone bench 96 x 96 x 96 in. (244 x 244 x 244 cm) 17 x 17 x 48 in. (43 x 43 x 122 cm) Elmhurst Art Museum Permanent Collection Bridging architecture, sculpture, and painting Skycube brings the full vertical dimension of the sky down to the horizontal space in which we live. Seen at eye level through a square aperture cut into 6,000 pounds of steel, the moving image of the sky is not a digital projection or display, it is the actual three-dimensional sky brought to the pictorial plane. During the day, atmospheric changes move across Skycube's exterior like a living painting continually recreating itself. Walking up to the work reveals an interior 8 x 8 foot wall appearing as an immersive three-dimensional mural of the sky. Looking down into the cube reveals a framed portrait of the self in the sky. In the evening, Skycube moves through endless hues of blue until a deep black square emerges, slowly revealing a composition of moving stars and planets. — Skycube sits in conversation with Mies van der Rohe’s McCormick House at Elmhurst Art Museum and is made from the same dimensions and materials of glass, steel, and white Tnemec paint. Mies was famous for creating the first glass Skyscraper that brought Americans into the sky to live and work. Here Haskins reverses the dynamic and brings the sky down to what is perhaps Mies’ most grounded structure, his one-story glass house. — "Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space." John Ruskin — GALLERY AND PRESS: Skycube Tour with Time-Lapse Video Early Morning Video Clouds and Wind Video Photo Tour Fabrication Pics and Video TV, Radio, Print ESSAYS: The Condescension of Light Daniel S. Robinson, Historian of Philosophy Regaining Our Balance E. Paul Holmes, Psychologist Breaking and Swapping Symmetry James P. Buban, Physicist https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1536702139707-9MYKNUOPOXPTABMZJSHJ/180910-7328+2.jpeg Work - Time Mirror III 2015-18 From the Time Mirror series HD camera, HD projector, custom software and computer Part of David Wallace Haskins: POLARITY Elmhurst Art Museum September 8, 2018 - January 20, 2019 Video Review by Bianca Bova Time Mirror III reveals our past, present, and future selves continuity in time, it serves as a metaphor for the many aspects of our individual identities, demonstrating that our present self is always in conversation and interacting with our past and future selves. This and another two works in the same series premiered at the same time: Time Mirror II at 150 Media Stream, 150 N. Riverside Plaza in downtown Chicago and Time Spheres, at EXPO Chicago, the international exposition of contemporary art at Navy Pier. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1673331819841-5XNIDMIB7P4ONJC41DPX/image-asset.jpeg Work - Truth of Skies 2023 Digital photography series Click here for the complete set of images Haskins's Skywall and Skycube series were born from a practice of looking up and beholding the wonder and beauty of the sky each day. To celebrate his newest Skycube, Image Continuous, Haskins curated a series of original photographs entitled Truth Of Skies, which were taken from his contemplations of the sky over the last few years as he prepared and developed his exhibition Landscape + Light for his residency at the Edith Farnsworth House. The title of the series was taken from the 1843 essay “Of Truth of Skies”, by John Ruskin, excerpted below: "It is a strange thing how little in general people know about the sky. It is the part of creation in which nature has done more for the sake of pleasing man, more for the sole and evident purpose of talking to him and teaching him, than in any other of her works, and it is just the part in which we least attend to her. ... there is not a moment of any day of our lives, when nature is not producing scene after scene, picture after picture, glory after glory… And every man, wherever placed, however far from other sources of interest or of beauty, has this doing for him constantly. The noblest scenes of the earth can be seen and known but by few; it is not intended that man should live always in the midst of them; he injures them by his presence, he ceases to feel them if he be always with them: but, THE SKY is for all; bright as it is, it is not “too bright, nor good, for human nature’s daily food;” it is fitted in all its functions for the perpetual comfort and exalting of the heart, for the soothing it and purifying it from its dross and dust. Sometimes gentle, sometimes capricious, sometimes awful, never the same for two moments together; almost human in its passions, almost spiritual in its tenderness, almost divine in its infinity… And yet we never attend to it, we never make it a subject of thought… Who, among the whole chattering crowd, can tell me of the forms and the precipices of the chain of tall white mountains that girded the horizon at noon yesterday? Who saw the narrow sunbeam that came out of the south and smote upon their summits until they melted and moldered away in a dust of blue rain? Who saw the dance of the dead clouds when the sunlight left them last night, and the west wind blew them before it like withered leaves? All has passed, unregretted as unseen.” — If you might be interested in a small signed print of one of these images or would be interested in receiving the entire series, please email us: info@dwhstudio.com. Landscape + Light has been extended through May at the Edith Farnsworth House https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436779367547-XPL69H79XI8MCPBMX0J1/image-asset.jpeg Work - Skywall 2004-14 From the Skywall series Steel, aluminum, wood, glass, polycarbonate, far infrared light film, existing architecture Total dimensions variable Z+O Architecture + Interiors More VIDEO in Gallery below Bridging sculpture, architecture and painting, a Skywall is an architectural intervention that brings the full vertical dimension of the sky down to the horizontal space in which we live. The moving image of the sky is not a digital projection or display, it is the actual three-dimensional sky brought to the pictorial plane. During the day, atmospheric changes move across the aperture like a living painting continually recreating itself. In the evening Platytera moves through endless hues of blue until a deep black square emerges, slowly revealing a composition of moving stars and planets. "Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space." John Ruskin GALLERY: Photos and Video: Platytera Photos and Video: Secondary Phenomena ESSAYS, INTERVIEW, AND Digital Book: Daniel S. Robinson, Historian of Philosophy The Condescension of Light E. Paul Holmes, Psychologist Regaining Our Balance James P. Buban, Physicist Breaking and Swapping Symmetry Z+O Interview Conversation with Daniel J. Simoneit, Principal Architect Skywall: Platytera E-book Download August 2014 Grand Opening Info https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1511325475414-LD20TW60E6RXRUL738ZE/image-asset.jpeg Work - Time Mirror 2009-16 From the Time Mirror Series Projector, camera, computer Total dimensions variable Installation view: David Wallace Haskins:PRESENCE at Elmhurst Art Museum, March 5 - May 8, 2016 VIDEO Time Mirror allows the visitor to see the self as other, to observe their movement through space and time, in third-person. The time will come when, with elation you will greet yourself arriving at your own door, in your own mirror and each will smile at the other's welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life. — Love After Love Derek Walcott, Collected Poems, 1948-1984 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1536701628401-AK67N3HCGL3UGJR112IS/ezgif.com-optimize.gif Work - Time Mirror II 2018 From the Time Mirror series Cameras, custom software and computer, existing architecture Premiered at 150 Media Stream As an off-site extension of David Wallace Haskins: POLARITY Extended through December 31, 2019 VIDEO Time Mirror II is an entirely live site-specific interactive video work that transforms 150 Media Stream into a 150’ digital mirror, reflecting the architecture and its visitors back onto itself, compressed and stretched in time. Visitors are invited to contend with their singularity and plurality, their internal perception vs. exterior reality, their present self relating with their past and even future self. The work offers an opportunity to slow down and see oneself moving through different layers of time from a third person point of view. Haskins says, “Seeing the self as “other” opens a doorway of understanding and compassion towards the self and the world at large." https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1458932650820-D7TSZSCZK8XRSDFNJS0Z/image-asset.jpeg Work - Light Seeing Light 2010 Visible and infrared light, lenses, fabric Total dimensions variable VIDEO This ongoing series of Interactive Light Sculptures are produced without the use of computers or animation. A proprietary method of slowly tuning various optics to sculpt and manipulate visible and infrared light is used to allow the light to interact with itself and the surrounding environment in both controlled and uncontrolled ways. The experience of interacting with light as a living thing offers experiential knowledge about new aspects of the phenomenon of light and the physical connections we share with it. Video of original studio development (2010) https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1477092705597-ICU5FR26NYAND0FUEGWN/98287F.jpg Work - Summer/Winter 2016 4-channel stereo sound installation, 10 hrs, Sense of Place at Elmhurst Art Museum December - February, 2017 Summer/Winter is a 10 hour site-specific sound installation that allows museum visitors during the winter months to hear the sounds of the previous summer as they happened minute by minute, hour for hour, in synch with the present time. As visitors look out on the winter landscape they can hear sounds of cicadas, rustling maples, lawnmowers, softball games and children playing. Every sound is happening at the time of day that it originally happened but when the earth was on the other side of the sun. As darkness falls earlier and the winter landscape evolves, the contrast between what is seen and heard increases. The most recent iteration of this work used a recording of the park outside the Elmhurst Art Museum made during museum hours in the summer of 2016. It was played back during the winter months of 2016-17 inside the museum's main gallery which offered visitors panoramic views of the park through its floor to ceiling glass. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1663661718132-KQPMF29X59O4ULE11QFM/image-asset.png Work - Stone Kōan Sculpture Series 2021-22 Original Italian travertine stone from Mies van der Rohe’s Edith Farnsworth House dimensions variable (available for purchase, contact: CHeidrich@savingplaces.org) Storied Stone Each of these stone sculptures are made from the original Italian travertine pavers that architect Mies van der Rohe personally selected to have installed on the lower terrace of the iconic glass home he designed and built for Dr. Edith Farnsworth from 1945-1951. In 2021, after 70 years of ice damage, these historic pavers had to be removed and replaced, enabling Edith Farnsworth House 2022 artist-in-residence, David Wallace Haskins, to use them for a new sculpture series, the sale of which will help raise support for the continued restoration of the house’s upper terrace in the years to come. It is fitting for a home that sits on a river that these travertine stones were themselves formed by water. The ancient mineral springs at Bagni di Tivoli have been bubbling up rich minerals for over 200,000 years, fueled by the same geothermal heat as Mt. Vesuvius and the Roman baths. This is what gives the stone its porous structure, revealed in its various chips, divots, and cavities giving it the charming irregularities that have drawn architects to use it for centuries. In fact, this stone that Mies chose for Dr. Farnsworth’s home came from the same travertine quarry that was used to build some of the greatest architectural marvels of the ancient world—including the Roman Colosseum, aqueducts, and the Pantheon. Michelangelo even chose this storied stone for key portions of St. Peter’s Basilica. Along with their distinctive texture, these sculptures share a unique patina, having been exposed to over seven decades of sun and weather since the house was first built—and on their back and sides, one can see the remnants of the cement that once held them to the house itself. Inspiration and Background A kōan, which is pronounced “koe-on”, is a confounding story, question, or phrase used in Zen practice to help an initiate abandon their reliance on binary logic in order to provoke “the great doubt”—a state of unknowing that allows for a more expansive or intuitive knowing to arise. Many of Haskins‘ works could be considered experiential kōans, as they use a phenomenal paradox to create unique perceptual tensions that lead viewers into a questioning or an unknowing, which the artist refers to as “a disorientation that leads to a reorientation". Haskins’ hope is that this process might widen the ways in which one begins to see and respond to themselves and the world around them. To achieve this perceptual tension Haskins implements a blend of meticulous geometry, advanced engineering, and archetypal symbolism. The ancient iconography of the oldest traditions around the world have used rectilinear forms to symbolize the realm of knowing, or the physical and the finite. This has often been contrasted alongside voids or circles which have symbolized the realm of unknowing, or the immaterial and infinite. Building on these traditions, Haskins’ Stone Kōans are composed of rectilinear forms that each hold an immaterial void at their center. The stones have been cut in such a way that this void appears as a visual paradox—both empty and full, as foreground and background seemingly coalesce on the same plane. Absence folds into presence, allowing what is behind the sculpture to merge with what is before it, condensing opposites into a kind of oneness. In this way, these sculptures function less as aesthetic objects, and more as meditation stones, or, as their name suggests, tools that can be used to stimulate contemplation and to practice what Haskins calls a “third kind of seeing, one that transcends reactive binary thinking, to make room for a nondual interrelational beholding.” Placement These sculptures are incredibly site-responsive and work best set on a ledge or mantel, 4-6 inches from a plain wall near a well-lit window, or anywhere outdoors. The opening in each stone functions, and even strangely appears, as a lens, catching and framing the light and shadow that moves and shifts before and behind the sculpture throughout the day and evening. Depending on the light source, placement, and the viewer’s position, the void might appear to be as solid as the stone itself and moments later take on the appearance of a sphere with true depth and form (as seen in the pictures above). This interplay with light, space, and time, and positional perspective, is a common theme in Haskins’ practice and affords the viewer a work of ever-changing phenomena to behold for years to come. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1416359243833-JQEJNDKP2MNNV85XP3E9/414153_10151428906745581_1416499305_o.jpg Work - Skywall (For Tom) 2004-2010 From the Skywall series Steel, aluminum, wood, glass, existing architecture Total dimensions variable Private residence (commissioned site-specific installs are available for purchase) Bridging sculpture, architecture and painting, Skywall is an architectural intervention that brings the full vertical dimension of the sky down to the horizontal space in which we live. The moving image of the sky is not a digital projection or display—it is the actual three-dimensional sky brought to the pictorial plane. During the day, atmospheric changes move across Skywall like a living painting continually recreating itself. In the evening it moves through endless hues of blue until a deep black square emerges, slowly revealing a composition of moving stars and planets. "Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space." John Ruskin https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1533187839569-X8GD0FNYR6IQ1SZRN2CF/37022875_10160660108765581_744991137239924736_n+2.jpg Work - Architecture of Light 2015-18 Projector, media server, computer, haze Dimensions variable Premiered at David Wallace Haskins: POLARITY Elmhurst Art Museum September 8, 2018 - January 20, 2019 Review by Bianca Bova Architecture of Light is an ongoing series of immersive light works that invite visitors to experience the physical, architectural, and sculptural presence of light and color. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1532513582052-547LP3906R5W1W7G1WKJ/IMG_1320.jpg Work - Untitled (Miesian Corner) 2017 Stainless steel, aluminum 54 x 54 x 11 in. (137 x 137 x 23 cm) Private Collection VIDEO A site-responsive wall sculpture that allows viewers to see themselves straight-on from nearly every position in the room, creating an inescapable gaze that follows the viewer's movement through space. It also reflects a non-reversed true image of the self and the surrounding environment, allowing viewers to see themselves in third-person. The work was cast from the 5-point corner of Mies van der Rohe's last American building, which was seen reflected from multiple angles in the sculpture across the Chicago River on the 26th floor of the Jewelers' Building in Chicago where it was on view as part of The City Beautiful at Gaylord & Dorothy Donnelley Foundation from January through June 2017. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1458031403455-FQQV4E17WZ4NKKKUGCAI/image-asset.jpeg Work - Soundcube 2001-16 32-channel sound installation, processor, hardware, fabric, insulation, wood, carpet, light 144 x 144 x 144 in. (366 x 366 x 366 cm) Installation view: David Wallace Haskins: PRESENCE at Elmhurst Art Museum, March 5 - May 8, 2016 Soundcube is a room-sized sound sculpture that allows spatially-specific sound waves to travel along the x, y and z axes creating an immersive three-dimensional sound field in free air. By visually removing the sound sources, the installation enables listeners to experience sound waves as the physical entities they are, giving them a presence similar to any other object in space. Visitors experience sound moving around them on all sides and even between them, creating an altogether unusual sonic awareness resulting in physiological responses such as ASMR. Soundcube also acts as a room-sized instrument allowing compositions to be written with and for it. Compositions vary from atmospheric to architectural and musical, each revealing unique elements of the everyday soundscape: the biophony (biological sounds), geophony (geological sounds), and anthropophony (man-made sounds). Soundcube compositions that premiered at Presence: Clicks 2:00 min Seeming to be physically hitting the ceiling and walls, landing somewhere between the sound of rain or fire, insects or plastic. Walk 1:00 min Recorded on site, after hours, visitors hear the presence of the artist walking towards the Soundcube and then around it, encircling them and walking away. Grainstream 4:30 min Nicholas Cline's meditation on the centuries old practice of seed-saving and the threats imposed by patenting seed DNA. Recorded with ritualistic bells, seeds, and grains. More here. Creek 2:00 min A nearby creek, spatially mapped in realtime. By placing a series of microphones over the creek bed that matched the alignment of speakers on the Soundcube floor, the actual spatial presence of the creek moves across the gallery floor. Hummingbird 1:00 Visitors experience the sonic presence of a hummingbird flying around the room. Cubert 3:00 A musical composition heralding the original digital sounds of 80's computer games. The work consists of both individual notes and chords that swirl around the listener in such a way that they feel they could be plucked out of the air. *Some of the compositions written for this series can also be experience via Myrios, a proprietary program created to allow any group of individuals with internet access to sync multiple mobile devices in the same time and space, creating the necessary configuration of speakers needed to experience these multi-channel composition anywhere. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1511324762736-WB33QZL23N82CKUZ1M4I/IMG_8768+2.jpg Work - Void Mirror 2010-16 Stainless steel, wood, fabric 48 x 48 x 6 in. (121.92 x 121.92 x 15.24 cm) Installation View: David Wallace Haskins: PRESENCE at Elmhurst Art Museum, March 5 - May 8, 2016 (available for purchase) VIDEO Juxtaposing the complete reflection and complete absorption of light, Void Mirror invites the visitor to ponder the interiority and exteriority of the self, allowing a view of the self as both matter and mystery, reflecting the physical and metaphysical. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1523303970990-4X6RQNMXED3NH1ODVWIW/image-asset.jpeg Work - Mirror Monolith 2010-16 Tempered glass, wood, and controlled lighting 96 x 18 x .5 in. (243.84 x 45.72 x 1.27 cm) Installation view: David Wallace Haskins: PRESENCE at Elmhurst Art Museum, March 5 - May 8, 201 VIDEO Re-interpretting the power and purpose of mirrors, Mirror Monolith embraces the tension between looking at and looking through. It invites visitors to move beyond themselves and into the space of another, highlighting the dialogical nature in which we come to understand our shared existence, offering experiential knowledge of what it's like to look through someone else's eyes, or be in someone else's shoes. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1539631199380-SVRSFGDO2V1HQOWW91UW/Screenshot+2018-10-03+00.26.13.png Work - Time Spheres 2018 Virtual reality headset, spherical 3D camera, custom computer and software Premiered at EXPO CHICAGO/2018 As an off-site extension of David Wallace Haskins: POLARITY Time Spheres uses the medium of VR to bring visitors deeper into reality rather than escape from it. The work offers an opportunity to step into and out of three distinct dimensions of time challenging one’s relationship with their past, present, and future selves. The initial installation integrated the active environment of EXPO Chicago and its visitors while offering the participant an opportunity to slow down and make room for the complexity of the present moment. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1518070911793-FVNT6VBDV3BQH5TK3MEL/LindaUsher_Skycube_MirrorSquare.jpg Work - Untitled 2010- From the Skycube series Stainless steel, glass 60 x 60 x 60 in. (152 x 152 x 152 cm) Proposal (available for commission) https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1508376653740-45SA6Q0E8VIE4G9U4FOR/IMG_9786.jpg Work - Untitled 2010- From the Skycube series Glass, stone, water 96 x 96 x 96 in. (244 x 244 x 244 cm) Proposal (available for commission) A transparent all-glass open Skycube floating on a reflective infinity pool. The front appears as a cube of the sky, the back as a cube of water, and the sides reflect the surrounding landscape. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1488271401094-3UEEOALXNP8CQHI20NAB/FullSizeRender+2.jpg Work - Sky/Earth 2010- From the Skycube series Glass, aluminum 96 x 96 x 96 in. (244 x 244 x 244 cm) Proposal (available for commission) An open Skycube made of reflective glass and aluminum. The front appears as a cube full of the sky, the back as a cube full of the earth, and the sides reflect the surrounding landscape. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522185142429-B6RR1FMEZ49DTVKOHLMR/IMG_1197.jpg Work - Untitled 2010-15 HID light Part of a series of interactive light and shadow works https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522185318318-OG0HOHZVN2OGO89KZ313/IMG_1195.jpg Work - Untitled 2010-15 HID light, shadow Part of a series of interactive light and shadow works https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522185421417-43IC660Z852H0TDVMFJW/IMG_9661.jpg Work - Untitled 2010-15 HID light Part of a series of interactive light and shadow works https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1488268886494-H7PTRCTETYCM4AMP3W31/IMG_1615.JPG Work - Untitled 2017- Acrylic, glass 84 x 84 x 12 in. (213 x 213 x 30.5 cm) Proposal https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1459641291529-2TLFCVLT8HYERGPRF2MG/image-asset.png Work - Myrios 2010-2016 Computer program and mobile devices Premiered April 1, 2016 at Elmhurst Art Museum Myrios syncs visitors’ mobile devices together in real-time to create connected fields of light and sound. It serves as a framework that turns mobile devices into speakers and video screens that play audio and/or visual compositions as a group. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436940948212-8LNDJKK21GFJ1K52BCUT/image-asset.jpeg Work - Untitled 2015 HID Light projection, shadow 144 x 144 in. (365 x 365 cm) Part of a series of interactive light and shadow works https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1518071612102-J95GQF7YYKD6GENNIFQA/IMG_1257.jpg Work - Untitled 2010-15 HID light, shadow Part of a series of interactive light and shadow works https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522185455601-M225ZP2E3HESG0BW51Q2/IMG_9619.jpg Work - Untitled 2010-15 HID light Part of a series of interactive light and shadow works https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1512010063814-6942F779TP85QDOY7SUQ/IMG_3393.jpg Work - Void Kōan (White) 2017 From the Kōan series Oil on HDPE 12 x 12 x 4 in. (30.5 x 30.5 x 10.2 cm) Private collection VIDEO https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1510111195265-78OW6OCK8ZQ7VTR1DBBV/IMG_9784.jpg Work - Untitled 2017- Stainless steel 100 x 360 x 24 in. (254 x 914 x 61 cm) Proposal A site-responsive monolith that allows viewers to see themselves straight-on from nearly every position in the park, creating an inescapable gaze that follows the viewer's movement through space. It also reflects a non-reversed true image of the self and the surrounding environment, allowing viewers to see themselves in third person. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1418374056197-FFEBGS8B906GF8D866VC/image-asset.jpeg Work - Advent 2011 Cotton matboard, proprietary pigment process, extruded polystyrene, natural and fluorescent light 30 x 30 x 7 in. (76.2 x 76.2 x 76.2 cm) Private collection https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1418376059454-GNU9HCHH72DP67NV6WS3/image-asset.jpeg Work - Advent II 2012 Cotton matboard, proprietary pigment process, extruded polystyrene, natural and fluorescent light 33 x 33 x 7 in. (83.8 x 83.8 x 17.8 cm) Private collection https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1511323279316-86AQDEQ4PL5YC8SVI8SR/image-asset.jpeg Work - Untitled 2010-2012 Cotton matboard, gesso, extruded polystyrene, natural and fluorescent light 33 x 33 x 7 in. (83.8 x 83.8 x 17.8 cm) https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522187589647-EBJANL3M8TDMPDMLLGRA/LindaUsher_Skycube_CortenOld.jpg Work - Untitled 2010- Corten steel, glass 96 x 96 x 96 in. (244 x 244 x 244 cm) Proposal https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438145829251-KIIWDTHKN7LZ6E8RJ6HV/image-asset.jpeg Work - OKC Skywall 2010- Concrete, stainless steel, mild steel, aluminum Dimensions variable Site-specific proposal for Oklahoma City, OK A Skywall with an aperture so large visitors can step inside it and be immersed in the sky through the world's largest seamless flat mirror. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1515725290428-J823L4MK77IT4FI0ZRNG/Linear+Portal.jpg Work - The Portal 2004- Concrete, glass, aluminum, steel, HD LED panels, HD cameras, microphones, speakers View: Chicago, IL USA Proposal "The world has never truly had to develop an ethic of interdependence rooted in our common humanity. And if we do it, the 21st century will be the most interesting, exciting, peaceful era in history." W. J. Clinton "In all the arts, there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. For the last twenty years neither matter nor space nor time has been what it was from time immemorial. We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art." Paul Valery INTRODUCTION The Portal brings together individuals from around the world into familiar time and space. It builds new bridges and perspectives for how we see the world around us. It is a window for us to look through, out beyond the limits of its own technology. The Portal is a double-sided wall that is broadcasting a live view of another city on one side and on the opposite side broadcasting a live view of a wilderness area outside that city. This allows young and old alike to connect with cultures they might never be able to visit simply by walking by the installation. And by walking around to the other side visitors can relax on benches or blankets and take in whatever surprises nature might have to offer as it is happening at that very moment. Throughout the day these visions will change as The Portal links up with another city or wilderness area around the world every 30-60 minutes, enabling you to always see something new each time you visit. PART I: THE CITY Not only can you see others from another city but you can even hear them and talk to them as well. This experience and interaction leads to a renewed sense of perception, the elusive awareness of the individuality and yet profound similarity we share with all peoples near and far. This installation is an artwork in and of itself, but the natural surroundings, the visitors and passerby's become an integral part of the piece as well. Simply and magically it brings the viewer into intimate contact with another culture and urban setting from around the globe, acting as a literal portal into an unfamiliar world. You participate in a synergistic loop where you are both participating in the art and the viewing of it. This is experienced both individually and communally, locally and globally. The applications of having open Portals set up in different cities and cultures around the world are endless. The Portal becomes a defining tool of innovation for the city, connecting cities with each other in new and creative ways. Everything from concerts to simulcasting world events in ways never before experienced will be possible. As pioneering artistic minds begin to see the possibilities and think creatively about what could be done with this kind of world-connection we are bound to see innovative applications arise. PART II: THE WILDERNESS The Portal doesn't stop at enabling you to partake in experiential connection with other cities and cultures, it also brings us into close contact with the beautiful wilderness/wildlife areas outside those cities. It does this on the opposite side of the wall or by simply fading between a broadcast of the wilderness and the city every other 30-60 minutes. Viewers get to intimately see and hear the vibrant sights and sounds of nature up close as they are actually happening live. Playful monkeys leaping through a jungle, an Amazon rainforest teeming with exotic creatures, the northern lights glowing vibrantly overhead, or the Great Barrier Reef colorfully flashing and flittering with otherworldly life; each particular environment fills the viewer with wonder and awe at the serene and bustling complexity these unscathed regions posses. Part of the fun is never knowing what will happen next. One moment you could be stilled by watching a calm and quiet landscape before a storm and the next moment awakened by a stampede of elephants. SUMMARY The Portal connects us to the world around us in new and profound ways. It inspires us with the earnestness and playfulness with which nature fills her daily routine, while observing the unique way a local culture is affected by it's surrounding wilderness and how that wilderness is in turn affected by the culture. The Portal's juxtaposition of city alongside city alongside its respective wilderness creates a radical ecological, geographical, and spatial paradigm shift which soberly reminds us of the interdependence we share with one another and in turn with the wild spaces around us for both physical and spiritual survival. THE PORTAL IN 360 DEGREES: INVISIBLE ARCHITECTURE The Sphere or Cube Portal takes The Portal to a new level by surrounding you on all 6 sides, completely and immersively transporting you to another world, transitioning smoothly between the city and wilderness at different times of the day. On the inside you see a live 360 degree broadcast of another city or wilderness. On the outside walls of the structure you see a live broadcast of the inside of the Cube or Sphere Portal you are linked to so you can connect with the people from that culture. One of the most interesting design aspects of this 360 degree structure is that in some senses it will behave like invisible architecture. The outside structure of "Portal A" is a live screen showing the interior of the inside of "Portal B", which it's linked to, and since the inside of "Portal B" is broadcasting a live view on it's interior walls of the live surroundings of "Portal A" then in essence if you were standing outside looking at "Portal A" you would see the people standing inside of "Portal B" and "Portal A" from a certain vantage point would seem invisible because everything in the background of "Portal B" is what is in the actual background where you are standing outside of "Portal A". The same is true if you were standing outside looking at the exterior walls of "Portal B". This is an extremely hard concept to understand without experiencing it but if you would ever enjoy a personal explanation, please contact us. We are in the midst of working towards bringing this unique installation into existence around the world. If you have any interest in helping us do so, or have any questions please don't hesitate to contact us below. _______________________________________________________ *As mentioned the Sphere or Cube version of this idea has many other artistic applications beyond those described here, some of which we have been working towards since 1996. It is our firm belief that structures like these will be used in cities worldwide for many different public and private events and that larger versions of the Sphere or Cube in particular will essentially become the auditoriums of the future. They will host everything from the new cinema, to live theater, symphonies, and rock concerts in ways never before imagined, not to mention new art forms yet to be created that will be inspired by the unique freedoms made available in these spaces. If the development of these ideas interests you please contact us. © 2004-15 David Wallace Haskins https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1418297410734-AOD2K5K52ZCXUAY6P4NP/image-asset.jpeg Work - Sky, Blue 2012 Cotton matboard, steel, glass, aluminum, existing architecture Total dimensions variable Top half: Skywall Bottom half: Void Painting https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1437982795596-E1W2WVFZWGHVSCTSGTKU/image-asset.jpeg Work - Untitled 2010 Limited edition C-print Untouched photographs of the sun and sky taken through organic apertures.   https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1437982565105-BBE72ZYGL260Z3TD8TLF/image-asset.jpeg Work - Untitled 2010 Limited edition C-print Untouched photographs of the sun and sky taken through organic apertures. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1437982612938-1XXG23FAOO6DUI2PP7M7/image-asset.jpeg Work - Untitled 2014 Limited edition C-print Untouched photographs of the sun and sky taken through organic apertures. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522186884600-W10IJ0Z3QF325CTVLYZ2/Screenshot+2016-09-16+00.15.51.png Work - VOID.BLUE 2016 Internet application via url: void.blue Premiered at EXPO CHICAGO/2016. VOID.BLUE is an artwork of infinite space that can be freely accessed by any device through the url: void.blue. Although the idea of the void or infinity is commonly used, it is rarely if ever actually understood in any experiential sense. VOID.BLUE offers users a brief experience of the joys and frustrations encountered creating and navigating inside infinite space. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1538548736047-73YKCOJVLAG8OKEE0LXB/Screenshot+2018-10-03+01.38.38.png Work - Polarity Solo Exhibition Elmhurst Art Museum On view now: September 9, 2018 - January 13, 2019 Website Brochure https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1510347163102-PGSFQ158ODVB8XACU8AH/Screenshot+2017-11-10+14.49.38.png Work - Presence VIDEO Solo exhibition available for travel. "Radical surprise...audaciously atypical...playfully impossible." -Lori Waxman, Chicago Tribune Exhibition Program Response to PRESENCE Exhibition wall text: "David Wallace Haskins produces immersive and interactive installations and sculptures that challenge perception. Introducing new ways to physically experience and understand such seemingly ephemeral phenomena as light, space, time and sound, Haskins’ poetic works offer a gentle disorientation that encourages a new awareness of the world around us. Investigating the boundaries between presence and mystery, light and dark, heaven and earth, body and environment, self and other, interior and exterior, Haskins’ exhibition takes its form as a journey that requires a slower pace, an openness to uncertainty and a shedding of preconceived notions of how we perceive or name things we encounter. The sequence of works provides opportunities to experience light as a physical object, sound as a spatial presence, void as volume and time as something visible. The artist invites you to 'move outside of your history, the way you typically make sense of things, and allow a moment of vertigo... to find a new footing and ultimately enter into a kind of beholding that transcends language and thought.' In addition to artists such as Caspar David Friedrich, René Magritte, Yves Klein and James Turrell, Haskins draws inspiration from other disciplines like psychology, physics, philosophy and digital technology. He works with a team of artists, developers and technicians to realize his complex installations." Staci Boris, Chief Curator Elmhurst Art Museum Press Release: "Elmhurst Art Museum presents the first solo exhibition for multi-media artist David Wallace Haskins. Following the debut of his remarkable Skycube, currently installed on the Museum’s outdoor pavilion, Haskins' has produced 7 new site-specific installations in the exhibition galleries. Employing light, space, time and sound, these immersive and interactive works challenge visitors’ sense of perception, introducing new ways to physically experience and understand everyday phenomena. Haskins’ innovative and poetic works aim to inspire awe and wonder while connecting people through shared experiences." Jenny Gibbs, Executive Director Elmhurst Art Museum Public Programs: Sat, March 5, 2 pm - Tour and Talk with Artist David Wallace Haskins and guest Christopher Canfield, Soundcube technical developer Sat, March 12, 2 pm - Kapoor, Klein, Turrell: David Wallace Haskins In Context, A Talk by Annie Morse, Senior Lecturer at The Art Institute of Chicago Sat, March 19, 2 pm - Tour and Talk with Artist David Wallace Haskins Sat, March 26, 2 pm - Panel Discussion: Artists Working with Light, Space and Time Fri, April 1, 6-9 pm - World Premiere of Myrios by David Wallace Haskins, An Interactive Event Sat, April 2, 2 pm - Tour and Talk with Artist David Wallace Haskins Sat, April 9, 2 pm - Magritte: The Mystery of the Ordinary, Lecture by Stephanie D’Alessandro, Gary C. and Frances Comer Curator of International Modern Art, The Art Institute of Chicago Sat, April 16, 2 pm - Perception and Mindfulness Workshop with Artist David Wallace Haskins and Dr. Paul Holmes Thurs, April 28, 6:30 - Book Discussion, On Looking: A Walker’s Guide to the Art of Observation by Alexandra Horowitz Sat, April 30, 2 pm - Tour and Talk about the Science of Light and Art with David Wallace Haskins and guest Steve Davey, Technical Operations Specialist at Argonne National Laboratory Sat, May 7, 2 pm - Family Workshop on Looking and Listening, led by David Wallace Haskins, appropriate for children ages 5+ https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1538549139266-KOZA76CB024R2F5WKIG3/Screenshot+2018-10-03+01.38.38.png Work - Polarity Solo Exhibition at Elmhurst Art Museum September 9, 2018, extended through January 20, 2019 Exhibition Website View Exhibition Guide Review by Bianca Bova Interview with Bad at Sports “The exhibition by Chicago-based multi-media artist David Wallace Haskins will premiere multiple new projects including an interactive video work and large-scale light installation within the Museum galleries. Haskins will also premiere a site-specific installation in the Museum’s McCormick House designed by Mies van der Rohe, which is the second in a series of transformative architectural interventions. Two off-site extensions of this exhibition will presented in September: the premiere of Time Mirror II at 150 Media Stream (150 North Riverside Plaza, Chicago) in which Haskins continues his work with perception and time by transforming an immersive media wall into a 150-foot digital mirror; and Haskins’ virtual reality piece Time Spheres presented at EXPO Chicago, the international exposition of contemporary & modern art, at Navy Pier (600 E. Grand Avenue, Chicago) September 27-30, 2018.” RELATED PROGRAMS Saturday, October 20, 2018 - 1:30pm Artist Talk David Wallace Haskins will give an artist talk about his solo exhibition, as well as architectural intervention, Ascension / Descension. Free with museum admission or current membership https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1418366052992-67J129JCPFP6YF3Y1H0X/image-asset.jpeg Work - Untitled 2010-2015 #8 stainless steel 12 x 12 x 12 in. (30.48 x 30.48 x 30.48 cm) https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1674666224643-S4DNQE3FGBV4RFUYY92Q/image-asset.png Work - Landscape + Light Solo Exhibition at Edith Farnsworth House September 9, 2018, extended through January 20, 2019 Exhibition Website View Exhibition Guide Review by Bianca Bova Interview with Bad at Sports “The exhibition by Chicago-based multi-media artist David Wallace Haskins will premiere multiple new projects including an interactive video work and large-scale light installation within the Museum galleries. Haskins will also premiere a site-specific installation in the Museum’s McCormick House designed by Mies van der Rohe, which is the second in a series of transformative architectural interventions. Two off-site extensions of this exhibition will presented in September: the premiere of Time Mirror II at 150 Media Stream (150 North Riverside Plaza, Chicago) in which Haskins continues his work with perception and time by transforming an immersive media wall into a 150-foot digital mirror; and Haskins’ virtual reality piece Time Spheres presented at EXPO Chicago, the international exposition of contemporary & modern art, at Navy Pier (600 E. Grand Avenue, Chicago) September 27-30, 2018.” RELATED PROGRAMS Saturday, October 20, 2018 - 1:30pm Artist Talk David Wallace Haskins will give an artist talk about his solo exhibition, as well as architectural intervention, Ascension / Descension. Free with museum admission or current membership https://static1.squarespace.com/static/51895ceee4b0dc37c7a49392/51895ceee4b0dc37c7a49399/6446e65ccc93cd45e54699b2/1751999903649/ Work https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1538549089117-9JGM2E26EBR1PADOPB7L/Screenshot+2018-10-03+01.38.38.png Work - Polarity Solo Exhibition Elmhurst Art Museum On view now: September 9, 2018 - January 13, 2019 Website Brochure https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1510347087739-AF6K95RO517U2CL78638/Screenshot+2017-11-10+14.49.38.png Work Solo exhibition available for travel. Video Tour "Radical surprise...audaciously atypical...playfully impossible." -Lori Waxman, Chicago Tribune Exhibition Program Response to PRESENCE Exhibition wall text: "David Wallace Haskins produces immersive and interactive installations and sculptures that challenge perception. Introducing new ways to physically experience and understand such seemingly ephemeral phenomena as light, space, time and sound, Haskins’ poetic works offer a gentle disorientation that encourages a new awareness of the world around us. Investigating the boundaries between presence and mystery, light and dark, heaven and earth, body and environment, self and other, interior and exterior, Haskins’ exhibition takes its form as a journey that requires a slower pace, an openness to uncertainty and a shedding of preconceived notions of how we perceive or name things we encounter. The sequence of works provides opportunities to experience light as a physical object, sound as a spatial presence, void as volume and time as something visible. The artist invites you to 'move outside of your history, the way you typically make sense of things, and allow a moment of vertigo... to find a new footing and ultimately enter into a kind of beholding that transcends language and thought.' In addition to artists such as Caspar David Friedrich, René Magritte, Yves Klein and James Turrell, Haskins draws inspiration from other disciplines like psychology, physics, philosophy and digital technology. He works with a team of artists, developers and technicians to realize his complex installations." Staci Boris, Chief Curator Elmhurst Art Museum Press Release: "Elmhurst Art Museum presents the first solo exhibition for multi-media artist David Wallace Haskins. Following the debut of his remarkable Skycube, currently installed on the Museum’s outdoor pavilion, Haskins' has produced 7 new site-specific installations in the exhibition galleries. Employing light, space, time and sound, these immersive and interactive works challenge visitors’ sense of perception, introducing new ways to physically experience and understand everyday phenomena. Haskins’ innovative and poetic works aim to inspire awe and wonder while connecting people through shared experiences." Jenny Gibbs, Executive Director Elmhurst Art Museum   Public Programs: Sat, March 5, 2 pm - Tour and Talk with Artist David Wallace Haskins and guest Christopher Canfield, Soundcube technical developer Sat, March 12, 2 pm - Kapoor, Klein, Turrell: David Wallace Haskins In Context, A Talk by Annie Morse, Senior Lecturer at The Art Institute of Chicago Sat, March 19, 2 pm - Tour and Talk with Artist David Wallace Haskins Sat, March 26, 2 pm - Panel Discussion: Artists Working with Light, Space and Time Fri, April 1, 6-9 pm - World Premiere of Myrios by David Wallace Haskins, An Interactive Event Sat, April 2, 2 pm - Tour and Talk with Artist David Wallace Haskins Sat, April 9, 2 pm - Magritte: The Mystery of the Ordinary, Lecture by Stephanie D’Alessandro, Gary C. and Frances Comer Curator of International Modern Art, The Art Institute of Chicago Sat, April 16, 2 pm - Perception and Mindfulness Workshop with Artist David Wallace Haskins and Dr. Paul Holmes Thurs, April 28, 6:30 - Book Discussion, On Looking: A Walker’s Guide to the Art of Observation by Alexandra Horowitz Sat, April 30, 2 pm - Tour and Talk about the Science of Light and Art with David Wallace Haskins and guest Steve Davey, Technical Operations Specialist at Argonne National Laboratory Sat, May 7, 2 pm - Family Workshop on Looking and Listening, led by David Wallace Haskins, appropriate for children ages 5+ https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1444112007573-H5M15AZ4BRQ8TBRZ6ORZ/image-asset.jpeg Work - Skycube Time-Lapse https://davidwallacehaskins.com/skywall-tour daily 0.75 2015-07-13 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436761050889-145I1KSFR0XXFKVLPOY6/Skywall-Platytera.jpg Skywall Tour https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436762613846-XVUC5DGVESW8ME42X810/image-asset.jpeg Skywall Tour https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436762613846-XVUC5DGVESW8ME42X810/image-asset.jpeg Skywall Tour https://davidwallacehaskins.com/platytera daily 0.75 2017-12-04 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675585224-1CS4ORVZFUXU1EKYJ9RA/Skywall-Platytera5.jpg Platytera Photo and video tour of Skywall: Platytera, installed at Z+O Architecture and Interiors, Glen Ellyn, Illinois, USA The following slides are Part I of the Skywall E-book available for free download here. For slides of Part II Secondary Phenomena click here.   PLATYTERA (Ancient Greek: Πλατυτέρα, more spacious)   "Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space." John Ruskin   Back https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436664528436-QLDJJCDBZ315JJ5Z8SAP/Skywall-Platytera.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675578507-PN49DS95F8MJVDEZ7PRA/Skywall-Platytera.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675585224-1CS4ORVZFUXU1EKYJ9RA/Skywall-Platytera5.jpg Platytera Photo and video tour of Skywall: Platytera, installed at Z+O Architecture and Interiors, Glen Ellyn, Illinois, USA The following slides are Part I of the Skywall E-book available for free download here. For slides of Part II Secondary Phenomena click here.   PLATYTERA (Ancient Greek: Πλατυτέρα, more spacious)   "Infinite and immeasurable in depth. It is a painting of air, something into which you can see, through the parts which are near you, into those which are far off; something which has no surface and through which we can plunge far and farther, and without stay or end, into the profundity of space." John Ruskin   Back https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1512348094353-GKNDYY2Y8NSQYJJLU8GN/image-asset.jpeg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675645770-ZC5ZTPJI7MVXUPOKSFON/Skywall-Platytera25.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675643688-Y77YXX268JT7CX93SLO9/Skywall-Platytera24.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436883789877-EX9RZV4VMC3UJU8RVY79/Skywall-Platytera26.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675657678-QZI0Z5GAG82O7LONZQAC/Skywall-Platytera27.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675665501-AFGBSC3FNEDAH81PQ4AO/Skywall-Platytera28.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763348366-0J92UULTUEMMW52U1DW4/image-asset.jpeg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675676564-DYFS5DC0KRJUFC5A1D9V/Skywall-Platytera30.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675680864-H8UNI1EOCGLM88TXJFGP/Skywall-Platytera31.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436883899712-UZ2G43OMBO6FVYI5FKRE/Skywall-Platytera32.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763454382-Y5H7UXJXUSUCJWLLTZBD/Skywall-Platytera33.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436884081415-B2V15HAGJBB6J8CD8XTJ/Skywall-Platytera34.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436884119409-0QFY2CC3ISY6M2YL7DBL/Skywall-Platytera35.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763469509-DWHVN1V8X69D3IJIK90T/Skywall-Platytera36.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763469820-PGL69Y1BF86SHWLCZ5U4/Skywall-Platytera37.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763478623-BNUFT94Q4GNJ0PT58MUD/Skywall-Platytera38.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763476373-SIEN031KK730TU49NKL8/Skywall-Platytera39.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436771687823-54734OW5311NXW0PQIHU/image-asset.jpeg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763488436-TCHMSZPM4EH76X89O2PS/Skywall-Platytera42.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763493686-BZ89VE5GNHLCLI9ER11U/Skywall-Platytera43.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763493146-LKKQK5DCPUJFNAUY9QL9/Skywall-Platytera44.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436675638369-C44V4G8S510GI0EJX0AS/Skywall-Platytera23.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763498170-O0DQJ97GMYNVFZXY9F7Y/Skywall-Platytera45.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436771818472-AGXLA9EH5FAWYCN4V2E6/image-asset.jpeg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763505775-3CU1MNPIZ5499IHDV8RB/Skywall-Platytera47.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763505147-TV6X9QRQQJXXAET14QNJ/Skywall-Platytera48.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763511981-Y3S2VAJVZAX7GKT0WMVX/Skywall-Platytera49.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436883606132-7XIO4RLTTO8LRJ5SKMCR/Skywall-Platytera32.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763514945-PSCS4YBC77NDVBFQ4LY4/Skywall-Platytera50.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763527535-UKES71Z2KYS8LGWDA9OZ/Skywall-Platytera33.jpg Platytera https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436770927119-K396IQH8UM7VZRZLDH6U/image-asset.jpeg Platytera   Skywall main page   Secondary Phenomena https://davidwallacehaskins.com/info daily 0.75 2024-11-03 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436946306342-TAXAC60C12AF57TBPB44/selfportrait.JPG Info Info David Wallace Haskins (b. 1975) is an American interdisciplinary artist using the elements of light, space, time, and sound to create experiential installations, sculptures, and architectural interventions. His works often invite exploration and participation, challenging visitors’ assumptions while highlighting the interrelational dynamic they share with themselves, others, and the world around them. Haskins develops and contextualizes his work with a team of creative technicians—often partnering with specialists in psychology, ecology, physics, and philosophy. DWH Studio is based in Chicago, Illinois. Commissions / Visit Haskins specializes in developing site-responsive works for private and public spaces. The process begins with a simple conversation by phone or video so the artist can get to know the client and better understand the conditions of the space or environment. For further inquiries or to schedule a studio visit, please reach out to us via our studio email: art@dwhstudio.com Newsletter Receive early access to exhibitions, exclusive invitations to private tours and exhibitions, and the latest info on Haskins' public and private works. Includes pics and video as well as suggestions on other unique art happenings worth checking out. To sign-up, please send a request to: newsletter@dwhstudio.com CV Press and Response DWH Studio Chris Buchakjian: Director of Development and Production Bob Davidson: Development and Production Brittney Dunn: Development and Graphic Design Christen Bridgwater: Curricular Research and Development David Vosburg: Development and Production Brad Carlson: Development and Glass Fabrication Sean Zellmer: Technology and Programming Matthew Olseng: Metal Engineering and Fabrication Reese Murdoch: Touch Designer and 3D VR development Vincent Naples: Light and Sound Design Jimmy Gately: Lighting Design Charles Anderson: Systems Engineering Christopher Canfield: Development and Production Aaron Davis: Sound and Lighting Engineering Jeff Pelletier: Sound Engineering Ben Williams: Sound Composition Joel Miller: Video, Webdesign Michael Johnson: Video, Photography Tim Davis: Project Consultant Drew Vosburg: Animation, Technical Design Daniel J. Simoneit: Architecture Dan Popp, S.E: Structural Engineering Doug Neal: Construction Glen Hubbard: Electrical Paul Holmes, PsyD: Psychology James P. Buban, PhD: Physics, AI Engineering Daniel S. Robinson, PhD: History, Philosophy © DWH Studio, LLC https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436946306342-TAXAC60C12AF57TBPB44/selfportrait.JPG Info Info David Wallace Haskins (b. 1975) is an American interdisciplinary artist using the elements of light, space, time, and sound to create experiential installations, sculptures, and architectural interventions. His works often invite exploration and participation, challenging visitors’ assumptions while highlighting the interrelational dynamic they share with themselves, others, and the world around them. Haskins develops and contextualizes his work with a team of creative technicians—often partnering with specialists in psychology, ecology, physics, and philosophy. DWH Studio is based in Chicago, Illinois. Commissions / Visit Haskins specializes in developing site-responsive works for private and public spaces. The process begins with a simple conversation by phone or video so the artist can get to know the client and better understand the conditions of the space or environment. For further inquiries or to schedule a studio visit, please reach out to us via our studio email: art@dwhstudio.com Newsletter Receive early access to exhibitions, exclusive invitations to private tours and exhibitions, and the latest info on Haskins' public and private works. Includes pics and video as well as suggestions on other unique art happenings worth checking out. To sign-up, please send a request to: newsletter@dwhstudio.com CV Press and Response DWH Studio Chris Buchakjian: Director of Development and Production Bob Davidson: Development and Production Brittney Dunn: Development and Graphic Design Christen Bridgwater: Curricular Research and Development David Vosburg: Development and Production Brad Carlson: Development and Glass Fabrication Sean Zellmer: Technology and Programming Matthew Olseng: Metal Engineering and Fabrication Reese Murdoch: Touch Designer and 3D VR development Vincent Naples: Light and Sound Design Jimmy Gately: Lighting Design Charles Anderson: Systems Engineering Christopher Canfield: Development and Production Aaron Davis: Sound and Lighting Engineering Jeff Pelletier: Sound Engineering Ben Williams: Sound Composition Joel Miller: Video, Webdesign Michael Johnson: Video, Photography Tim Davis: Project Consultant Drew Vosburg: Animation, Technical Design Daniel J. Simoneit: Architecture Dan Popp, S.E: Structural Engineering Doug Neal: Construction Glen Hubbard: Electrical Paul Holmes, PsyD: Psychology James P. Buban, PhD: Physics, AI Engineering Daniel S. Robinson, PhD: History, Philosophy © DWH Studio, LLC https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1610611683390-L2ESBD27AZA4I0YZYMUE/image-asset.jpeg Info Info Based in Chicago, David Wallace Haskins (b. 1975) conducts experiments and explorations with light, space, time, and sound. Working with experts in psychology, ecology, physics, and philosophy Haskins leads a core team of likeminded artists and technicians to develop and evolve these experiments into immersive and interactive installations, sculptures, and architectural interventions. Contact info@dwhstudio.comNewsletter Receive early access to exhibitions, exclusive invitations to private tours and exhibitions, and the latest info on Haskins' public and private works. Includes pics and video as well as suggestions on other unique art happenings worth checking out. To sign-up, please send a request to: info@dwhstudio.comCVPress and Response DWH Studio Bob Davidson: Head of Development and Production Sean Zellmer: Head of Technology and Programming David Vosburg: Development and Video Production Brittney Dunn: Development and Graphic Design Brad Carlson: Development and Fabrication Matthew Olseng: Metal Engineering and Fabrication Reese Murdoch: Touch Designer and 3D VR development Vincent Naples: Projection Mapping and Sound Design Jimmy Gately: Lighting Design Chris Buchakjian: Lighting and Development Charles Anderson: Systems Engineering Christopher Canfield: Sound Engineering Aaron Davis: Sound and Lighting Engineering Jeff Pelletier: Sound Engineering Ben Williams: Sound Composition Lance Gerber: Video, Photography Michael Johnson: Video, Photography Tim Davis: Project Consultant Drew Vosburg: Animation, Technical Design Daniel J. Simoneit: Architecture Dan Popp, S.E: Structural Engineering Doug Neal: Construction Glen Hubbard: Electrical Paul Holmes, PsyD: Psychology James P. Buban, PhD: Physics, AI Engineering Daniel S. Robinson, PhD: History, Philosophy https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1368093103044-E8610MUM64VE4OBJMI05/selfportrait.JPG Info Info Based in Chicago, David Wallace Haskins conducts experiments and explorations with light, space, time, and sound. While working with experts in psychology, ecology, physics and philosophy, Haskins leads a core team of likeminded artists and technicians to develop and evolve these experiments into innovative installations, sculptures, and events.   Contact davidwallacehaskins (at) gmail (dot) com   Team Programming, Conceptual Design: Sean Zellmer Sound Production, Conceptual Design: Chris Canfield Graphic, Conceptual Design: Brittney Dun Video, Photography: David Vosburg Sound Engineering: Aaron Davis, Jeff Pelletier Animation, Technical Design: Drew Vosburg Architecture: Daniel J. Simoneit Structural Engineering: Dan Popp, S.E Construction: Doug Neal Electrical: Adam Farley Psychology: Paul Holmes, PsyD Ecology: Read Mercer Schuchardt, PhD Physics, Mathematics: James P. Buban, PhD History, Philosophy: Daniel S. Robinson, PhD       https://davidwallacehaskins.com/secondary-phenomena daily 0.75 2019-12-03 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763602623-HTPZA8WCBJ29HU1Z1OZK/Skywall-Platytera58.jpg Secondary Phenomena Slides of Skywall E-book Part II, a photo and video tour highlighting the secondary phenomena that resides within the Skywall installed at Z+O Architecture + Interiors, Glen Ellyn, Illinois, USA (For slides of Part I click here)   SECONDARY PHENOMENA   Due to the unusual construction and functionality of Platytera, a second tier of phenomena resides within the work that reveals multiple perspectives on symmetry, reflection, texture, and architectural deconstruction. The following pages give examples of each during various solar and atmospheric conditions. All photos and videos are untouched.   Back https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763602623-HTPZA8WCBJ29HU1Z1OZK/Skywall-Platytera58.jpg Secondary Phenomena Slides of Skywall E-book Part II, a photo and video tour highlighting the secondary phenomena that resides within the Skywall installed at Z+O Architecture + Interiors, Glen Ellyn, Illinois, USA (For slides of Part I click here)   SECONDARY PHENOMENA   Due to the unusual construction and functionality of Platytera, a second tier of phenomena resides within the work that reveals multiple perspectives on symmetry, reflection, texture, and architectural deconstruction. The following pages give examples of each during various solar and atmospheric conditions. All photos and videos are untouched.   Back https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763608860-CXQCTIPQALM2J4NTY6LY/Skywall-Platytera59.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436781354983-MDTZJ42GA7P1BKG8MKW1/image-asset.jpeg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436781263440-67CWM3NVRVX5PFO9GHNM/Skywall-Platytera55.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763587533-FGTESKFJ6XDGE518KB6H/Skywall-Platytera56.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763606878-PLWQM7G82IVLFZ2MSBOY/Skywall-Platytera57.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763612142-ANC7SHRKC5XYPBEPR3VM/Skywall-Platytera60.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763614386-UJYE4RGLUC8VAXOVJHRP/Skywall-Platytera61.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763617045-NAL037ZVMMCOUW7NJ2LG/Skywall-Platytera62.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763620604-NB6SNHLOQLRVL148A8WR/Skywall-Platytera64.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763621353-5EVB6R7OF5DP4OWRKVUC/Skywall-Platytera65.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763626748-HAD84K53MLBI2JTOODY9/Skywall-Platytera66.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763627162-1KGDWQ9A7J6YXY2PSARS/Skywall-Platytera67.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763630833-K2VD1NGVSETIRC8ZHC0A/Skywall-Platytera68.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436768959808-01N3IJ79SWE7QKKXVI49/image-asset.jpeg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763633312-89BPAOQV8AT071LJP8HJ/Skywall-Platytera70.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763634120-XIDNX5MBJW3GCLJ2YDB6/Skywall-Platytera71.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763636827-F31EDZDM24SR9D7BPMWU/Skywall-Platytera72.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436770651120-XNV7ZR7H04EV1STUMGWJ/Skywall-Platytera79.jpg Secondary Phenomena A transparent ultramarine blue filter can be automatically lowered between the aperture and the sky creating a luminescent ultramarine blue monochrome on the surface of the wall. Additionally, a neutral density filter can be lowered to add depth to the blue or used individually to reduce the sky’s brightness as needed. The fluid positioning of these filters allows the viewer to participate in the evolving composition and secondary phenomena of the work by creating various arrangments of light, color, and geometric abstraction. These results can be difficult to capture often causing unusual effects inside the camera, as seen in some of the pictures that follow. All photos and video are untouched. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763639331-H0C29YZGT7GOPD7RQC7V/Skywall-Platytera74.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763639573-CAXAR165BEEDIPX7R79J/Skywall-Platytera75.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763644256-TP8W665TMQ631XP694CF/Skywall-Platytera76.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763643393-43TNVV4RK8X7TP3ZRDRQ/Skywall-Platytera77.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763647098-FIYV5TWVRWRPA4894I84/Skywall-Platytera78.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763655352-EY3XHWIXFWFOBIWW7D2D/Skywall-Platytera82.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436769641020-2FC47JBD78ZI0S69FHCS/Skywall-Platytera80.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763652001-ER9H8QSFL0YQH9O29ZQA/Skywall-Platytera81.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763739055-SJPX641DWDDEXQZKRWAS/Skywall-Platytera83.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763658636-WKMCYF0LTZJ8WNBLFY44/Skywall-Platytera84.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763659366-NF1RKTH92AJ0PGMDTWMW/Skywall-Platytera85.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763660527-I83HQWVA2JIK8WOSST25/Skywall-Platytera86.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763661843-0TS4T2ZKLSOM9ZTY9T3K/Skywall-Platytera87.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763663534-53EVVUSR8IXTDWZA263E/Skywall-Platytera88.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1575380476332-0RLG3W1TMILO7ZMGWDLG/Skywall-Platytera89.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763667619-7LED870EPBPN0KEAI2AF/Skywall-Platytera90.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763666517-BBC7HZQ2NL1HXX2IQEBN/Skywall-Platytera91.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763669984-9ERB10P96Y11PKY1X49M/Skywall-Platytera92.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763670167-HPFWNOYCJE8P7WM5IROY/Skywall-Platytera93.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763674110-X9H615XMKQQXGNMY3OL0/Skywall-Platytera94.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436771410900-PWM63D9EGAQ8RYOHODTJ/image-asset.jpeg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763677475-HC4C6S4DX8XD8TV6HYXL/Skywall-Platytera96.jpg Secondary Phenomena https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1436763677300-7I0ZI11UCRY7M70RFT9H/Skywall-Platytera97.jpg Secondary Phenomena   Skywall main page   Photo and Video Tour https://davidwallacehaskins.com/dwh-studio-gallery daily 1.0 2025-03-24 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1694997801615-WSGTR7G0SZWZ17HBWE28/image-asset.jpeg Studio Highlights 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https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206254186-7NNL63GPGZVD96R7C3VH/IMG_0391.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438210353779-6IZ3OZTRJSFEOHXX0KBA/image-asset.jpeg Skycube Fabrication Horn Steel's bridge crane makes 1,000 pounds of steel look like cardboard. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206224767-1RRP22WUCU7VHNHIQEYE/IMG_9456.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206230691-OKC8O3D88DGMGWCWRE61/IMG_9459.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206235599-5SDPYWC2KZFZROK6QU3I/IMG_0373.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206233570-4X8VKJUW5UGPVYQPZY1E/IMG_9467.jpg Skycube Fabrication 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https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206280568-XRYMEOBXL73YMYRNCP5S/IMG_0392.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206469722-TAVCJOTQY7G1BF73IZEW/Screen+Shot+2015-07-17+at+7.34.47+PM.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206353608-CVLRQ6HHSCRGTVCT85AQ/IMG_9535.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206481792-HE6R115MC538CURPKNHM/Screen+Shot+2015-07-17+at+7.33.31+PM.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206684650-Y1QHNC9LFZL0E07VYZPY/Screen+Shot+2015-07-17+at+7.32.26+PM.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206375480-1OEZCWHNFXMLOP1UBTK9/IMG_0406.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438209377980-PO3MC94ZK15XZD1SY017/image-asset.jpeg Skycube Fabrication Punching a hole through 3/8" steel like butter. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206379533-2513KQAI28QMH9A5CFZ9/IMG_0410.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206493766-TR0KGGIWXICKDKTKRJXA/IMG_0419.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206500051-4BRPTA1EBMGRHHS34RXR/IMG_0421.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206506895-3T41YRBTBFXKM99G2ZSB/IMG_0439.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206758068-TK9JIOT686QU24JNCO3S/IMG_0431.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206772755-AJQBRCXF2AHWVIMJS421/IMG_0481.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206837725-N775TQ2XTIPHYJKMO0CJ/IMG_0723.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206828836-KZ59WYXZSSICR3BGHJK1/IMG_0751.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206890374-DGAQ6Z62F4EIKS98RQ51/IMG_0753.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206894999-EKR0JA7RZBCH8HLP3BUH/IMG_0757.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206775598-AX69Y5784C7EY92YF1G4/IMG_0510.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206900412-UEZ9S59NVT5M8WM9AGD5/IMG_0775.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206841526-S66JYIILETBXJ61JTJ8L/IMG_0724.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438209955778-6CYH24JV83BF9OLR638B/image-asset.jpeg Skycube Fabrication "The beetle" cutting the largest Skycube plate to size. The next slide shows the time-lapse of this entire cut. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438210097697-GN284TJ6GYSZO3XZLJIP/image-asset.jpeg Skycube Fabrication Time-lapse of "the beetle" cutting the largest Skycube plate to size. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438558287660-8LJ0R2U8G125SD1I7W04/image-asset.jpeg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206813327-SY17Q5W5XR5BR4T50NBS/11741315_10155854191535581_5443240780516236663_o.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206949314-GWL9SOTXJZ9TMJTDFQKD/IMG_0560.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206905668-3ZDAD18PI5K9O19ZM38Q/IMG_0762.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206961729-6LZS3E8HTMW2R1S9RGGB/IMG_0778.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438558265572-0SFJFT9VX2W5OJNNVRHQ/image-asset.jpeg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206992229-BSIV1WLIIVP3NUKM4RLV/IMG_0512.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438206982385-AJO76VOKR4DU5RCN4J3F/IMG_0522.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438207038942-C9BZWBJ9ZZD1UU9TU0C4/IMG_0584+%281%29.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438207131652-YC1F7W48CF1ALV3AQAMT/IMG_0552.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438207136784-G54WJNZ5UDGWNQPGQ387/IMG_0782.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438210167106-8IZUFJSHZD73GMNFJTS0/image-asset.jpeg Skycube Fabrication Bringing the Skycube down to give it a final look before putting it on the truck. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438207147312-OMO9GH256WFXMEHK1JQJ/IMG_0799.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438207166676-1O8EBSLZGWWOAYBDPCQH/Screenshot+2015-07-26+08.31.39.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438235994884-IIEQ1JLTI11VUTIICI2W/IMG_0815.jpg Skycube Fabrication https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1438207253141-IMB91RT95T8QB4FEOAU7/IMG_0970.jpg Skycube Fabrication https://davidwallacehaskins.com/skycube-time-lapse daily 0.75 2016-02-04 https://static1.squarespace.com/static/51895ceee4b0dc37c7a49392/t/56b2fe81d210b8c659dddf3c/1454549800348/ Skycube Time-lapse https://static1.squarespace.com/static/51895ceee4b0dc37c7a49392/56b2ab13746fb90a229385ba/56b2ab2812b65e7ef77efa66/1454549800348/ Skycube Time-lapse https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1454549801161-7S2JGIJXAJ4ZIQNXV83O/image-asset.jpeg Skycube Time-lapse - Skycube Time-Lapse Back to Skycube main page https://davidwallacehaskins.com/skycube-parallax daily 0.75 2016-02-04 https://static1.squarespace.com/static/51895ceee4b0dc37c7a49392/t/56b2fea8044262994df35c4d/1454570869254/ Skycube Parallax https://static1.squarespace.com/static/51895ceee4b0dc37c7a49392/56b2fd5fb09f950655e21ebe/56b2fd755bd3305cddaf33af/1454570869254/ Skycube Parallax https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1454570870127-GKKYBGCSNLW57TDT7BPP/image-asset.jpeg Skycube Parallax - Skycube Parallax Back to Skycube main page https://davidwallacehaskins.com/skycubeii daily 0.75 2023-01-25 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1550648138988-7J9CKSXIC5HBTEYF9S96/DWH+Skycube+II+Lance+Gerber+1.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1550648138988-7J9CKSXIC5HBTEYF9S96/DWH+Skycube+II+Lance+Gerber+1.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522807921025-6CP0IAE4GTK3402QBOJP/DWH-Skycube-II-Lance-Gerber-6.png Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465659828-XRIP2YKAS4ZO4B0ND8NJ/DWH+Skycube+II+Lance+Gerber+21.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1550648814134-U2C88BSPONSPXUWJU3DE/DWH-Skycube-II-Lance-Gerber-5.png Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1550648950824-7HNYZWVHLCNYE0GOICZD/DWH+Skycube+II+Lance+Gerber+4.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1550648891475-TH8C5SJKPO582FY2WEO3/DWH+Skycube+II+Lance+Gerber+9.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465640673-3X5R94KO2HSA3Q1OSHUF/DWH+Skycube+II+Lance+Gerber+22.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465700246-GI8KP5BUPD5IL6YE4FKV/DWH+Skycube+II+Lance+Gerber+13.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528466066532-KFW6D5SJ2U8F8DOY1ITE/DWH+Skycube+II+Lance+Gerber+18.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465883845-J509NJPN9FAQZX58HYEI/IMG_2292.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528466015371-NB1CMM45T27WQ6ZEX8Z2/DWH+Skycube+II+Lance+Gerber+17.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465879221-CX5A8AN8UYMEMDQU31QC/IMG_0840.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465998135-RMQQ91HC10FM877RDRUR/DWH+Skycube+II+Lance+Gerber+15.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465649514-Y7ULMJ36Q3RFPC3KSGU5/DWH+Skycube+II+Lance+Gerber+23.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465687111-YJA90WYGUP3ULELQON3C/DWH+Skycube+II+Lance+Gerber+10.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465886861-FPKN45KEPIB6QZAZTPC7/IMG_0820.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1531321191430-N1ZO6APRMHV2GIPKGK0Z/1515129251818.jpeg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522807954089-FIDWATBIPNQMYIG1ACUX/DWH-Skycube-II-Lance-Gerber-2.png Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1550648049712-W9U5L0C2EKTTLAYN2GLE/DWH+Skycube+II+Lance+Gerber+8.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465888331-SSYZK7KOC3P0UMU9C9LR/IMG_0975.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465895871-3URMCZIXN393IF0NK695/IMG_0018.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1528465895611-EH3HYWM6CDO2ENO7FAV5/IMG_0023.jpg Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1522463158037-D0ZJNGFL26AQ6Q6OEPOX/IMG_2659.jpg Skycube II https://static1.squarespace.com/static/51895ceee4b0dc37c7a49392/5abef11f575d1f2de6249240/5abef18488251bcf7a0aa794/1522463108715/ Skycube II https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1674665271438-FAR7GMTKAM6T1VI1GJ08/image-asset.jpeg Skycube II - Skycube II, Time Lapse https://davidwallacehaskins.com/new-gallery daily 0.75 2019-02-12 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1549970578764-HG4SWRK92B3AYQ02FTJE/Chicago+Splash_Dec+16_2018_LR.jpg Chicago Splash https://davidwallacehaskins.com/portraiture daily 0.75 2021-01-14 https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457380790451-1V4EBAPSUERI6XZ0DUPD/portraiture-82.65.2_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475545583-RSE6AI5JFTGOY7JDKIXR/portraiture-82.65.447_PS1.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475445982-CZ8CAQWJ9VH6G6MXRB9S/portraiture-82.65.366_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475465198-ELIGEGUCMH604ZDRGQJB/portraiture-82.65.9_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457474124582-OSQWM2UYPA7MLU0XY926/portraiture-82.65.133_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475496888-W0QC645FIMZH6R01BBGF/portraiture-82.65.66_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475530517-TE22N1Z7UH1S5NFFJOSP/portraiture-82.65.5_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475477342-6A3K63FQUT37DYI19X5W/portraiture-82.65.79_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475919508-O5I1RJXA77BOAD7EQDW0/portraiture-82.65.465_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475894379-GX07H5PS5IER6I9QFHG5/portraiture-82.65.379_PS1-toned.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457474083118-3AMK647X1L0MJUFP43L9/portraiture-82.65.173_PS2.jpg Portraiture https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457475931580-6K5U8YR14I1T0OQ9WYMJ/portraiture-82.65.454_PS2.jpg Portraiture https://davidwallacehaskins.com/our-story daily 0.75 2021-01-14 https://davidwallacehaskins.com/work-3 daily 0.75 2021-01-14 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456778343214-6EXQ3R8UIDEWLZZQ3UYP/65.jpg Work https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456777021895-QDRYFVYU2XZM4KWAO3SM/image-asset.jpeg Work https://davidwallacehaskins.com/truth-of-skies daily 0.75 2023-01-10 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1673322493263-SGOJM0NCRQMD2ZBWT5R5/image-asset.jpeg Truth of Skies - Truth of Skies Haskins’s Skywall and Skycube series were been born from a contemplative practice of regularly taking time to look up and beholding the wonder and beauty of the sky each day. This new series of original photographs were taken over the past 2 years as he prepared for and developed his ongoing exhibition Landscape + Light, which was part of his residency at Edith Farnsworth House in rural Illinois an hour outside of Chicago. The title of the series was taken from the 1843 essay Of Truth of Skies, by John Ruskin, excerpted below: "It is a strange thing how little in general people know about the sky. It is the part of creation in which nature has done more for the sake of pleasing man, more for the sole and evident purpose of talking to him and teaching him, than in any other of her works, and it is just the part in which we least attend to her. ... there is not a moment of any day of our lives, when nature is not producing scene after scene, picture after picture, glory after glory…And every man, wherever placed, however far from other sources of interest or of beauty, has this doing for him constantly. The noblest scenes of the earth can be seen and known but by few; it is not intended that man should live always in the midst of them; he injures them by his presence, he ceases to feel them if he be always with them: but the sky is for all, ...it is fitted in all its functions for the perpetual comfort and exalting of the heart, for soothing it and purifying it from its dross and dust. Sometimes gentle, sometimes capricious, sometimes awful, never the same for two moments together; almost human in its passions, almost spiritual in its tenderness, almost divine in its infinity, its appeal to what is immortal in us is as distinet, as its ministry of chastisement or of blessing to what is mortal is essential. And yet we never attend to it, we never make it a subject of thought… Who, among the whole chattering crowd, can tell me of the forms and the precipices of the chain of tall white mountains that girded the horizon at noon yesterday? Who saw the narrow sunbeam that came out of the south and smote upon their summits until they melted and mouldered away in a dust of blue rain? Who saw the dance of the dead clouds when the sunlight left them last night, and the west wind blew them before it like withered leaves? All has passed, unregretted as unseen.” https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1673322493263-SGOJM0NCRQMD2ZBWT5R5/image-asset.jpeg Truth of Skies - Truth of Skies Haskins’s Skywall and Skycube series were been born from a contemplative practice of regularly taking time to look up and beholding the wonder and beauty of the sky each day. This new series of original photographs were taken over the past 2 years as he prepared for and developed his ongoing exhibition Landscape + Light, which was part of his residency at Edith Farnsworth House in rural Illinois an hour outside of Chicago. The title of the series was taken from the 1843 essay Of Truth of Skies, by John Ruskin, excerpted below: "It is a strange thing how little in general people know about the sky. It is the part of creation in which nature has done more for the sake of pleasing man, more for the sole and evident purpose of talking to him and teaching him, than in any other of her works, and it is just the part in which we least attend to her. ... there is not a moment of any day of our lives, when nature is not producing scene after scene, picture after picture, glory after glory…And every man, wherever placed, however far from other sources of interest or of beauty, has this doing for him constantly. The noblest scenes of the earth can be seen and known but by few; it is not intended that man should live always in the midst of them; he injures them by his presence, he ceases to feel them if he be always with them: but the sky is for all, ...it is fitted in all its functions for the perpetual comfort and exalting of the heart, for soothing it and purifying it from its dross and dust. Sometimes gentle, sometimes capricious, sometimes awful, never the same for two moments together; almost human in its passions, almost spiritual in its tenderness, almost divine in its infinity, its appeal to what is immortal in us is as distinet, as its ministry of chastisement or of blessing to what is mortal is essential. And yet we never attend to it, we never make it a subject of thought… Who, among the whole chattering crowd, can tell me of the forms and the precipices of the chain of tall white mountains that girded the horizon at noon yesterday? Who saw the narrow sunbeam that came out of the south and smote upon their summits until they melted and mouldered away in a dust of blue rain? Who saw the dance of the dead clouds when the sunlight left them last night, and the west wind blew them before it like withered leaves? All has passed, unregretted as unseen.” https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1673323520323-POG13GBFEV2SOANMH7HC/image-asset.jpeg Truth of Skies - Truth of Skies https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1673323649703-QQMP62ZHHVES3H9PRZJ7/image-asset.jpeg Truth of Skies - Truth of Skies https://davidwallacehaskins.com/about daily 0.75 2015-04-26 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1430031971628-HHOWNR73D191USRV69JR/image-asset.jpeg Info https://davidwallacehaskins.com/breaking-and-swapping-symmetry-ii daily 0.75 2015-08-21 https://davidwallacehaskins.com/e-book-download daily 0.75 2019-02-16 https://davidwallacehaskins.com/skycube-press-release daily 0.75 2017-12-03 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1454568082909-AVF7Q7ENT04IOFOFLYM3/image-asset.jpeg Skycube Press Release https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1441237928642-KHJ0WBA500UJS8S2EQWC/image-asset.jpeg Skycube Press Release David Wallace Haskins Skycube, 2015 Steel, glass, far infrared light film, limestone 96 x 96 x 96 in. (244 x 244 x 244 cm) 19 x 19 x 48 in. (48 x 48 x 122 cm) Elmhurst Art Museum Skycube sculpture series https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1439816401722-8HYXRZZ99X5S7H9AN4R4/image-asset.jpeg Skycube Press Release https://davidwallacehaskins.com/read-mercer-schuchardt-essay daily 0.75 2015-07-14 https://davidwallacehaskins.com/zo-interview daily 0.75 2016-01-03 https://davidwallacehaskins.com/regaining-our-balance daily 0.75 2016-01-03 https://davidwallacehaskins.com/the-condescension-of-light daily 0.75 2016-01-03 https://davidwallacehaskins.com/breaking-and-swapping-symmetry daily 0.75 2016-01-03 https://davidwallacehaskins.com/breakingandswappingsymmetry daily 0.75 2016-01-04 https://davidwallacehaskins.com/newsletter daily 0.75 2020-03-23 https://davidwallacehaskins.com/regainingourbalance daily 0.75 2016-01-04 https://davidwallacehaskins.com/thecondescensionoflight daily 0.75 2016-01-04 https://davidwallacehaskins.com/response daily 0.75 2017-12-04 https://davidwallacehaskins.com/pagecv daily 0.75 2023-11-19 https://davidwallacehaskins.com/iit-lecture daily 0.75 2017-02-21 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1487676175228-0QVJUHY4U091BOCKUW18/image-asset.jpeg IIT Lecture https://davidwallacehaskins.com/presenceletters daily 0.75 2019-01-31 https://davidwallacehaskins.com/press daily 0.75 2024-06-20 https://davidwallacehaskins.com/presencesocialmedia daily 0.75 2019-01-31 https://davidwallacehaskins.com/cp-letter daily 0.75 2019-01-31 https://davidwallacehaskins.com/dk-letter daily 0.75 2019-01-31 https://davidwallacehaskins.com/atmacuratorialnotes daily 0.75 2023-04-24 https://davidwallacehaskins.com/philosophy daily 0.75 2021-01-14 https://davidwallacehaskins.com/polarity-review daily 0.75 2022-03-24 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1538550077076-63UIO2QTVFN74L0TRDN9/IMG_8338+2.jpg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1538551395961-QRU8QBXYQHKDZPZTUETU/180910-7328.jpeg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1540276417297-HHB7GRFSAA84BNMTGJ29/Screenshot+2018-10-23+01.21.55.jpg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1542762416012-X4AU7MIE1FR3AIL56W3T/IMG_9851.jpeg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1538552378523-IUY72XLIPPLWGRHYU4BI/IMG_4811.jpg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1452071726830-8D3VN45DON48DTPDARCK/IMG_2166.jpg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1611907995441-DIQT1OWX26I5S94G6Q4G/IMG_9655.jpeg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1611907571706-RUQ8EAXL7XTRA5TEYRHX/IMG_9734.JPG Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1611907291739-W2C318OXCOHPONF08QVN/IMG_8900.jpeg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1543024272630-89V71G9PLSPNBIO77HM8/IMG_8285.jpeg Polarity Review https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1611907456086-SL8FJWOK2FJKVV41JY15/IMG_7916.JPG Polarity Review https://davidwallacehaskins.com/new-page-5 daily 0.75 2023-01-10 https://davidwallacehaskins.com/truthofskies daily 0.75 2023-01-15 https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/1673324338652-TITB1M8K4BABET7HVL4L/CG_Haskins_Label_12.jpeg Truth of Skies - 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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/ee798e47-d9e2-4126-ab3a-bb0a21dd7885/IMG_9471.jpeg Atma Curatorial Notes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/e3d5cf7b-09a3-4a04-9a32-a4714ca8f8f7/IMG_8852+2.jpeg Atma Curatorial Notes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/003f92b6-d611-4a5e-888c-062803bdef33/image0.jpeg Atma Curatorial Notes - Make it stand out Orthodox Icon of the Transfiguration of Christ. by Philip Davydov. 50 X 40 cm (20 X 16 inches), 2017 Note the blue circle of light consuming Christ and beaming out towards the disciples. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/05bfe15e-ae67-4b44-b28b-89e554074e93/IMG_9426.jpeg Atma Curatorial Notes - 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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/283d8d05-5973-4e67-9117-207d5cec5eea/IMG_8955.jpeg Atma Curatorial Notes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/ab062345-032d-4592-9e73-a22cfa1d17c5/IMG_9349.jpeg Atma Curatorial Notes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/f426af63-419d-4b91-9174-a8fa957280b3/IMG_9792.jpeg Atma Curatorial Notes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/51895ceee4b0dc37c7a49392/34dc5ec9-ccc2-44e7-a9b5-7b9b5b8ce558/IMG_5313.jpeg Atma Curatorial Notes - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://davidwallacehaskins.com/camilaletter daily 0.75 2024-06-20